The author, Katherine Vollenweider, executive director (2006-2010) and registrar (2003-2006) of the museum, completed the cataloging and preservation of hundreds of documents and maps, establishing the Museum and Arts Archive as a public resource for future generations.
No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life �no-no boys.� Yamada answered �no� twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle. As Ozeki writes, Ichiro�s �obsessive, tormented� voice subverts Japanese postwar �model-minority� stereotypes, showing a fractured community and one man�s �threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world.�
The first edition of No-No Boy since 1979 presents this important work to new generations of readers.
Replaces ISBN 9780295955254
In this pioneering study, White explores the relationship between the natural history of the Columbia River and the human history of the Pacific Northwest for both whites and Native Americans. He concentrates on what brings humans and the river together: not only the physical space of the region but also, and primarily, energy and work. For working with the river has been central to Pacific Northwesterners' competing ways of life. It is in this way that White comes to view the Columbia River as an organic machine--with conflicting human and natural claims--and to show that whatever separation exists between humans and nature exists to be crossed.