The Thing Is

Red Adept Publishing, LLC
4
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Meredith Mancuso is depressed. Ever since the death of her fiancé, she has shrunk from the world. Even with her successful writing career, she's not motivated to work. When her sister, Monica, begs for a favor, Meredith wants nothing more than to say no. But she’s ultimately roped into pet-sitting an orphaned Yorkshire terrier named Prozac.

Blessed with spiritual wisdom and a high IQ, Prozac is an active pet therapy dog. To heal broken-hearted Meredith, he rallies his fan club at Evergreen Gardens, an independent living facility, where he visits each week.

Prozac and the community of resilient older folks challenged by losses of their own propel Meredith, often against her will, back into the land of the living. Meredith learns that most people carry some sort of burden, but it's still possible to find meaning, purpose, and joy—and sometimes, even love—along the way.

 

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About the author

Kathleen Gerard is a writer whose work has been awarded The Perillo Prize, The Eric Hoffer Prose Award and nominated for Best New American Voices and Short Story America, all national prizes in literature. Kathleen writes across genres. Her short prose and poetry have been widely published in magazines, journals and anthologies.

Her essays have been broadcast on National Public Radio (NPR). Kathleen’s woman-in-jeopardy novel IN TRANSIT won The New York Book Festival – “Best Romantic Fiction” (2011). Kathleen is a book reviewer for and a contributor to Shelf Awareness and maintains the blog, “Reading Between the Lines.”

 

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4.5
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Additional Information

Publisher
Red Adept Publishing, LLC
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Published on
Feb 9, 2016
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Pages
276
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ISBN
9781940215587
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Language
English
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Genres
Drama / American / General
Drama / Women Authors
Family & Relationships / Love & Romance
Fiction / Romance / Contemporary
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Content Protection
This content is DRM free.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award

Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity."

In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?

The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader.

As the play begins, Vivian Bearing, a renowned professor of English who has
spent years studying and teaching the intricate, difficult Holy Sonnets of the
seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

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