Biography of Eleanor Roosevelt

Hyperink Inc
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The position of First Lady is a tricky one; it's not a political or appointed office, yet during any presidential administration, her name (and personality) is far more known that that of the vice president or secretary of state. Likewise, the First Lady has, potentially, the ear of the president in a far more influential way than these other elected officials. Until recent years, most First Ladies made a deliberate choice not to get involved with the politics of running the country.

Eleanor Roosevelt's sense of duty, however, as well as her lifelong commitment to humanitarianism, led her to choose a different route. Still, by her own admission, her instincts for self-effacement would have probably kept her out of the political limelight, were it not for the crippling polio that curtailed many of her husband's speech-making appearances after 1921.

The timing for a First Lady such as Eleanor could not have been more auspicious. When Franklin Roosevelt took office as President of the United States, the country was in the grip of a fierce depression that threatened to topple its financial foundations. As the decade segued into the 1940s, the world became involved in a war against Nazism and Fascism. Domestically, racial and gender inequalities ran rife throughout the United States, at a time when the nation, more than ever, could not survive such division.


There is a famous photo of Eleanor and Franklin in their car during Inauguration Day, looking confident and even radiantly happy. It belied her true feelings of fear that she would be forced, for the sake of political correctness, into abandoning some of her pet projects a scenario she had no intention of allowing. That evening, Eleanor, the least socialite of all Washington wives, donned a silver-blue gown and fur coat and attended, by herself, the inaugural ball. She would be the only First Lady ever to do so without her husband, because Franklin didn't want to be publicly seen in a wheelchair and unable to dance.

According to the second volume of her autobiography, This I Remember, Eleanor said of her husband's presidency (and her own prominence) to her friend, reporter Lorena Hickok, "I never wanted it, even though some people have said that my ambition for myself drove him on...I never wanted to be a President's wife, and I don't want it now."

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Biography of Eleanor Roosevelt

+ Introduction

+ Beginnings

+ First Lady of a State and a Nation

+ White House Years

+ ...and much more

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Hyperink Inc
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Published on
Mar 4, 2012
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Biography & Autobiography / General
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From stand-up comedian, actress, and breakout star of Girls Trip, Tiffany Haddish, comes The Last Black Unicorn, a sidesplitting, hysterical, edgy, and unflinching collection of (extremely) personal essays, as fearless as the author herself.

Growing up in one of the poorest neighborhoods of South Central Los Angeles, Tiffany learned to survive by making people laugh. If she could do that, then her classmates would let her copy their homework, the other foster kids she lived with wouldn’t beat her up, and she might even get a boyfriend. Or at least she could make enough money—as the paid school mascot and in-demand Bar Mitzvah hype woman—to get her hair and nails done, so then she might get a boyfriend.

None of that worked (and she’s still single), but it allowed Tiffany to imagine a place for herself where she could do something she loved for a living: comedy.

Tiffany can’t avoid being funny—it’s just who she is, whether she’s plotting shocking, jaw-dropping revenge on an ex-boyfriend or learning how to handle her newfound fame despite still having a broke person’s mind-set. Finally poised to become a household name, she recounts with heart and humor how she came from nothing and nowhere to achieve her dreams by owning, sharing, and using her pain to heal others.

By turns hilarious, filthy, and brutally honest, The Last Black Unicorn shows the world who Tiffany Haddish really is—humble, grateful, down-to-earth, and funny as hell. And now, she’s ready to inspire others through the power of laughter.
This book is part of Hyperink's best little books series. This best little book is 3,800+ words of fast, entertaining information on a highly demanded topic. Based on reader feedback (including yours!), we may expand this book in the future. If we do so, we'll send a free copy to all previous buyers.


Agatha Christie's own life was, in many ways, as mysterious as those of her characters. Assuredly it was her predilection for the cryptic that led her to create the fiery-yet-unfathomable Belgian detective, Hercule Poirot. Yet, while Poirot epitomizes the image of the enigmatic detective, his creator was just as inscrutable, making her own life a story worthy of a novel of its own.

Agatha Christie's other great creation, Jane Marple, seems far more accessible, but she keeps her own counsel as well, a trait that Agatha Christie perfected in her own life. It came as no great surprise to her fans that, after her death, secrets from Christie's life suddenly tumbled out in the form of newly-discovered archived recordings she had made decades before. These recordings, completely unknown to the public, provide a new insight into her creations, and created a fascinating denouement that Agatha would have loved.

Why have the writings of this exacting, rather reclusive author resonated with the public for so many generations? The secret is one that Agatha knew well: her stories are about people we can relate to in real life. As Hercule Poirot was fond of saying, everyone has the makings of a criminal in him; the key to success in life is in how we master those darker feelings. As we read an Agatha Christie novel, we realize that we ourselves could easily be one of the characters - and yes, even the murderer.


Other than its inventive plot, a major reason for the success of this first novel was the quirky yet captivating character of Hercule Poirot, who was inspired by the Belgian refugees living in England whom Agatha had met during the First World War. She recalled that they had a hard time understanding the British way of doing things, and preferred to assimilate as little of British life as possible.

Throughout the 1920s Agatha completed to write, and produced one of her greatest successes, The Murder of Roger Ackroyd, in 1926. This novel was a sensation with the reading public because of its unexpected and even shocking ending, and was so popular that it was made into a movie in 1931, Alibi, which marked the first film appearance of Hercule Poirot.

The 1930s, however, proved to be Agatha's most productive time as a writer. During this decade she wrote a total of 14 Poirot novels and two Miss Marple novels, as well as two books featuring the character Superintendent Battle, two story collections featuring the characters Harley Quin and Mr. Parker Pyne, four additional mystery books, two plays and a novel under her pseudonym, Mary Westmacott...

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