ANITA doesn't cackle and hiss as she works dark curses, either. Oh, she casts witch's spells and incantations, but not the usual kind.
ANITA's main interest is boys, just like any other girl her age. And she doesn't really need things like love potions - not with her face and figure.
But ANITA is a witch, and she's young and a little reckless. Which means she sometimes makes mistakes (usually with boys), and when she does... all Hell might break loose....
A chance encounter with Manta, an exceedingly powerful witch, sees Nick cursed with changelessness. Not only will he never age, but, more usefully to Manta, broken bones and sliced flesh, while excruciatingly painful, will mend themselves in a short space of time - making Nick the perfect weapon against the demonic assassins sent by the evil Cartel. Constantly hunted, Nick is forced to run - evading his enemy when he can and facing gruesome and bloody battles when he can't.
But, help comes from a surprising source - April, a young girl Nick rescues from some occult enthusiasts intent on sacrificing her, has powers beyond her control or understanding. Together, might they be a match for the sinister forces that stalk them?
Terry Pratchett's profoundly irreverent Discworld novels satirize and celebrate every aspect of life, modern and ancient, sacred and profane. Consistent number-one bestsellers in England, they have garnered him a secure position in the pantheon of humor along with Mark Twain, Douglas Adams, Matt Groening, and Jonathan Swift.
Even so distinguished an author as A. S. Byatt has sung his praises, calling Pratchett's intricate and delightful fictional Discworld "more complicated and satisfying than Oz."
His latest satiric triumph, Carpe Jugulum, involves an exclusive royal snafu that leads to comic mayhem. In a fit of enlightenment democracy and ebullient goodwill, King Verence invites Uberwald's undead, the Magpyrs, into Lancre to celebrate the birth of his daughter. But once ensconced within the castle, these wine-drinking, garlic-eating, sun-loving modern vampires have no intention of leaving. Ever.
Only an uneasy alliance between a nervous young priest and the argumentative local witches can save the country from being taken over by people with a cultivated bloodlust and bad taste in silk waistcoats. For them, there's only one way to fight.
Go for the throat, or as the vampyres themselves say...Carpe Jugulum
1968: England is still dominated by the Church of Rome. There are no telephones, no television, no nuclear power. As Catholicism and the Inquisition tighten their grip, rebellion is growing.