A blockbuster anthology of original, blood-curdling vampire fiction from New York Times bestselling and award-winning authors, including Charlaine Harris, whose novels were adapted into HBO’s hit show True Blood, and Scott Smith, publishing his first work since The Ruins.

Before being transformed into romantic heroes and soft, emotional antiheroes, vampires were figures of overwhelming terror. Now, from some of the biggest names in horror and dark fiction, comes this stellar collection of short stories that make vampires frightening once again. Edited by New York Times bestselling author Christopher Golden and featuring all-new stories from such contributors as Charlaine Harris, John Ajvide Lindqvist, Scott Smith, Sherrilyn Kenyon, Michael Kortya, Kelley Armstrong, Brian Keene, David Wellington, Seanan McGuire, and Tim Lebbon, Seize the Night is old-school vampire fiction at its finest.
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About the author

Anthology editor Christopher Golden is the New York Times bestselling author of Snowblind, Tin Men, and the upcoming Dead Ringers, among many other novels. His novel with Mike Mignola, Baltimore, or, the Steadfast Tin Soldier and the Vampire, led to the creation of the Eisner-nominated Dark Horse Comics series, Baltimore. He is also the coauthor of Cemetery Girl, a graphic novel trilogy collaboration with Charlaine Harris. As an editor, he has worked on the short story anthologies The New Dead, The Monster’s Corner, and 21st Century Dead. His original novels have been published in more than fourteen languages in countries around the world.
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4.1
10 total
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Additional Information

Publisher
Simon and Schuster
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Published on
Oct 6, 2015
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Pages
544
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ISBN
9781476783130
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Features
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Language
English
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Genres
Fiction / Fairy Tales, Folk Tales, Legends & Mythology
Fiction / Fantasy / Collections & Anthologies
Fiction / Horror
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Content Protection
This content is DRM protected.
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Eligible for Family Library

Reading information

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“An excellent collection” of vampire stories, from authors such as Harlan Ellison, Dan Simmons, Gahan Wilson, Tanith Lee, and Fritz Leiber (Publishers Weekly).
 
Renowned editor Ellen Datlow has gathered seventeen variations on vampirism ranging from classically Gothic to postmodern satire, from horrific to erotic. These stories reflect the evolution of vampire literature from Bram Stoker to Anne Rice and beyond, resulting in a deeper exploration of their inner lives. Expanding the concept of vampirism to include the draining of a person’s will or life force, Datlow’s collection transcends the traditional “black capes and teeth marks on the neck” to reinvent an eternally fascinating subgenre of horror.
 
In Harlan Ellison’s “Try a Dull Knife,” an empath stumbles bleeding into a nightclub, on the run from emotional vampires. A Broadway actress steals the emotions of her fellow performers in “. . . To Feel Another’s Woe” by Chet Williamson. And in “The Sea Was Wet as Wet Could Be,” Gahan Wilson offers his own surreal twist on Lewis Carroll’s “The Walrus and the Carpenter,” as two strangers on a beach lure intoxicated picnickers to a different kind of picnic . . .
 
Blood Is Not Enough includes contributions by Dan Simmons, Gahan Wilson, Garry Kilworth, Harlan Ellison, Scott Baker, Leonid Andreyev, Harvey Jacobs, S. N. Dyer, Edward Bryant, Fritz Leiber, Tanith Lee, Susan Casper, Steve Rasnic Tem, Gardner Dozois and Jack Dann, Chet Williamson, Joe Haldeman, and Pat Cadigan.
 
This “toothy follow-up to Datlow’s first-rate Blood Is Not Enough” offers “admirably inventive variations on vampirism” (Kirkus Reviews).
 
Featuring stories by Jonathan Carroll, Chelsea Quinn Yarbro, and Robert Silverberg, A Whisper of Blood is a “consistently engrossing anthology” from award-winning editor Ellen Datlow (Publishers Weekly). Continuing to expand the boundaries of the concept of vampirism—as she did in her first collection, Blood Is Not Enough—Datlow has assembled eighteen fascinating stories that range from tales of literal vampires to what she calls “metaphorical bloodsuckers,” who can drain another’s life force without ever sinking their teeth into necks.
 
In “Now I Lay Me Down to Sleep” by Suzy McKee Charnas, an elderly Jewish woman who’s taken her own life has second thoughts and makes a deal to become a vampire to stay immortal, the only condition being she has to drink blood by request only. An amnesiac operative tries to sort out if a secret government agency is trying to help him regain his memory or is wiping it clean in Chelsea Quinn Yarbro’s Kafkaesque “Do I Dare to Eat a Peach?” And in Jonathan Carroll’s “The Moose Church,” a tourist in Sardinia is literally scarred by asking questions of death in his dreams . . .
 
A Whisper of Blood includes contributions by Suzy McKee Charnas, Karl Edward Wagner, Robert Silverberg, Kathe Koja, Elizabeth Massie, Barry N. Malzberg, Rick Wilber, Jonathan Carroll, Thomas Ligotti, Melissa Mia Hall, David J. Schow, Jack Womack, Melinda M. Snodgrass, Thomas Tessier, Chelsea Quinn Yarbro, K. W. Jeter, Pat Cadigan, and Robert Holdstock and Garry Kilworth.
 
Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the nineteenth century, when brilliant writers everywhere indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula.

Michael Sims brings together the very best vampire stories of the Victorian era-from England, America, France, Germany, Transylvania, and even Japan-into a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's "The Oval Portrait" and Sheridan Le Fanu's "Carmilla" to Guy de Maupassant's "The Horla" and Mary Elizabeth Braddon's "Good Lady Ducayne." Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and rounds out the collection with Stoker's own "Dracula's Guest"-a chapter omitted from his landmark novel.
Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as "dead labor, which, vampire-like, lives only by sucking living labor"; while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers young, old, and in between of why the undead won't let go of our imagination. Readers of Dracula's Guest may also enjoy Michael Sims' most recent collection, The Dead Witness: A Connossieur's Collection of Victorian Detective Stories.
In the past hundred years, since the publication of Bram Stoker's infamous book, no literary figure has enjoyed a more horrific resiliency than Count Dracula. In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange--the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst: One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt--male and female, human and non-human, humorous and heroic--all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories--The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire--which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd, Blood Thirst gives us all something to sink our teeth into.
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