Clay Adams has his own decisions to make. His half brother shows up to tell him their father, Freddy, is still alive but needs a liver transplant. When Freddy blew out of town thirty-five years ago, secrets were buried. But it’s time for them to be dug up, because only then can Clay hope to lay the past to rest.
Call Me Daddy is a story of family, the secrets they keep, and to what lengths someone would go to protect them.
This sequel to They Call Me Crazy can be read as a standalone novel.
Kelly Stone Gamble was born and raised in the Midwest… all over the Midwest. By the time she graduated from high school, she had run away from home twice and attended twenty-two different schools. To bring that total to twenty-five, she obtained an undergrad degree and two graduate degrees. There are stories in those experiences, and she chose to use them for fictional inspiration.
For the past twenty years, Kelly has lived in the Las Vegas suburb of Henderson, Nevada. She recently accepted a full-time position with Southeast Oklahoma State University to teach Literature and Professional Speech and will soon be a resident, again, of the Midwest.
Look out, tornadoes. You have competition.
Reporter Ash Coye is faking amnesia to buy some time after a serial killer’s attempt on his life. So when a hottie on a Harley shows up at his bedside claiming to be his wife, he has to pretend to believe her.
Joey Bradshaw knows lying to a guy with no memory is cruel, but if it keeps him alive and stops The Slasher, it’s worth it. The sizzling attraction between her and her make believe husband, however, is an unexpected complication.
"Maggie Shayne writes wonderful romance with page turning thrills that have a permanent spot on my keeper shelf.”
~New York Times Bestselling Author Karen Robards
Nominee for 3 Tony Awards including Best Play
“Lynn Nottage’s best work. She offers a powerful critique of the American attitude toward class, and how it affects the decisions we make. Sweat has fraternity at its heart, but also the violence, and the suspicion that can result from class aspirations.” –Hilton Als, New Yorker
Lynn Nottage has written one of her most exquisitely devastating tragedies to date. In one of the poorest cities in America, Reading, Pennsylvania, a group of down-and-out factory workers struggle to keep their present lives in balance, ignorant of the financial devastation looming in their near future. Based on Nottage’s extensive research and interviews with residents of Reading, Sweat is a topical reflection of the present and poignant outcome of America’s economic decline.
Lynn Nottage is the recipient of two Pulitzer Prize Awards for Drama for Sweat and Ruined. She is the first woman playwright to be honored twice. Her other plays include Intimate Apparel; By the Way, Meet Vera Stark; Fabulation, or the Re-Education of Undine; Crumbs from the Table of Joy; and Las Meninas.
Intimate Apparel: “Thoughtful, affecting new play . . . with seamless elegance.”—Charles Isherwood, Variety
Fabulation: “Robustly entertaining comedy . . . with punchy social insights and the firecracker snap of unexpected humor.”—Ben Brantley, The New York Times
With her two latest plays, “exceptionally gifted playwright” (New York Observer) Lynn Nottage has created companion pieces that span 100 years in the lives of African American women. Intimate Apparel is about the empowerment of Esther, a proud and shy seamstress in 1905 New York who creates exquisite lingerie for both Fifth Avenue boudoirs and Tenderloin bordellos. In Fabulation Nottage re-imagines Esther as Undine, the PR-diva of today, who spirals down from her swanky Manhattan office to her roots back in Brooklyn. Through opposite journeys, Esther and Undine achieve the same satisfying end, one of self-discovery.
Lynn Nottage’s plays include Crumbs from the Table of Joy; Mud, River, Stone; Por’ Knockers; Las Menias; Fabulation and Intimate Apparel, for which she was awarded the Francesca Primus Prize and the American Theatre Critics/Steinberg New Play Award in 2004. Her plays have been produced at theatres throughout the country, with Intimate Apparel slated for 16 productions during the 2005–2006 season.
Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity."
In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?
The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader.
As the play begins, Vivian Bearing, a renowned professor of English who has
spent years studying and teaching the intricate, difficult Holy Sonnets of the
seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.