So begins Amontillado, a unique tale of lust, infidelity, and murder. From rainy street corners to candlelit bookstores to hidden tunnels deep below a nameless city, you'll be transported to a surreal world in which motives are mysterious, intentions are unclear, emotions wreak havoc, and one person's desire for adventure will lead everyone down a dangerous path.
Jacob Lyons is a writer, a drunk, and a bad husband, but he is no murderer. After an unfortunate encounter on a thunderous street corner, he finds himself surrounded by hostile detectives accusing him of being exactly that.
Daniel Jefferson is Jacob's only friend. Despite problems of his own, he is determined to help Jacob overcome the downward spiral of a crumbling life, but he can't foresee the trouble that awaits.
Breeana is a book lover who escapes her tired marriage by attending literary discussions and book club gatherings. One stormy night, when the electricity fails and her group discusses The Cask of Amontillado by Edgar Allan Poe, she meets an intriguing newcomer who ignites her passions and offers the adventure she desires.
That intriguing newcomer is the witty and mysterious Marcus McComber, a man with a dark past and darker intentions. He will tell the tale of his romantic conquests to the fellow who sits beside him every night at the local tavern: the writer, the drunk, the accused murderer named Jacob Lyons.
Amontillado is a circular experiment in repressed desire, unrequited love, uncontrollable passion, and the need for control, all mixed with the inexplicable evils of human nature that each can inspire. In the macabre tradition of Edgar Allan Poe himself, the story propels itself to a stunning conclusion, begging you to answer one simple question:
Who kills who?
KIDNAPPED EVIDENCE, by Joseph J. Millard
A RAT MUST CHEW, by Gary Lovisi
A RIDE FOR MR. TWO-BY-FOUR, by Bruno Fischer
BEDHEAD FRED’S, REDHEAD’S DEAD, by Jack Halliday
GENERALISSIMO FLATFOOT, by Walt Sheldon
DOOM BOOM, by Glenn Low
DEAD WRONG, by Lucille Cali
GRIM REAPER'S HANDICAP, by Fergus Truslow
SUICIDE SOUVENIR, by Dennis Layton
HAIR OF THE CAT, by Robert Turner
HERO, by John L. French
BLACKMAIL IN THE RED, by Chester Whitehorn
MEET MY MUMMY, by Elroy Arno
SATAN TURNS THE TIMETABLES, by David M. Norman
I DIE DAILY, by H. Wolff Salz
MAHATMA OF MAYHEM, by Robert Leslie Bellem
ROOM 801, by Jack Halliday
NO LIVING WITNESS, by Emile C. Tepperman
TARAWA PAYOFF, by H. Wolff Salz
WRONG NUMBER, by John L. Benton
MYSTERY OF THE MEXICALI MURDERS, by J. Lane Linklater
TIME TO KILL, by Leo Hoban
RAINY TUESDAY, by Jack Halliday
MURDER THROWS A RINGER, by Carl G. Hodges
LOVE KILLS, by Gary Lovisi
If you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the more than 170 other entries in the series, covering science fiction, modern authors, mysteries, westerns, classics, adventure stories, and much, much more!
“Go Set a Watchman is such an important book, perhaps the most important novel on race to come out of the white South in decades." — New York Times
A landmark novel by Harper Lee, set two decades after her beloved Pulitzer Prize–winning masterpiece, To Kill a Mockingbird.
Twenty-six-year-old Jean Louise Finch—“Scout”—returns home to Maycomb, Alabama from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise’s homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town, and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in painful yet necessary transition out of the illusions of the past—a journey that can only be guided by one’s own conscience.
Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of the late Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor, and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird, but also serves as its essential companion, adding depth, context, and new meaning to an American classic.