As he grew up in Forest, Mississippi, befriended by the family maid, Mattie May, he became a young man who turned the word "sissy" on its head, just as his mother taught him. In Jackson, he is befriended by Eudora Welty and journalist Frank Hains, but when Hains is brutally murdered in his antebellum mansion, Kevin's long road north towards celebrity begins. In his memoir, Kevin Sessums brings to life the pungent American south of the 1960s and the world of the strange little boy who grew there.
"Kevin Sessums is some sort of cockeyed national treasure.” —Michael Cunningham
KEVIN SESSUMS is currently a contributing editor at Allure magazine after spending fourteen years at Vanity Fair in that same capacity. Before joining Vanity Fair, he was executive editor for Andy Warhol's Interview magazine. His work has also appeared in Elle, Travel + Leisure, Playboy, Out, and Show People magazines. He was born and raised in Mississippi and now lives in New York City.
Wrong. Gillespie is plagued by missing human torsos, murdered policemen, and a drug dealer who keeps setting fire to her neighbor's house—and all this after Hollis discovers that she is inexplicably (except, maybe, for all that acrobatic sex) pregnant. While the neighborhood might have been fine when she was a child-free urban pioneer, it's a nightmare for a mother with nothing but cake pans to bulletproof the baby's room. Gillespie must depend on her three best friends, Daniel, Grant, and Lary, to help her—although Lary makes it no secret that he hopes the paint fumes she inhaled early in her pregnancy will cause the baby to be born inside out—"that way it'll be easier to sell for parts."
"Will Gillespie ever feel safe? No matter, she's still Hollis at heart—and, as Lary points out, if not safe, at least "safe from ever being normal."
In Writing Places, William Zinsser—the author of On Writing Well, the bestseller that has inspired two generations of writers, journalists, and students—recalls the many colorful and instructive places where he has worked and taught. Gay Talese, author of A Writer’s Life, calls Writing Places, “Wonderful,” while the Pittsburgh Post-Gazette praises this unique memoir for possessing “all the qualities that Zinsser believes matter most in good writing—clarity, brevity, simplicity and humanity.”
When Augusten Burroughs was small, his father was a shadowy presence in his life: a form on the stairs, a cough from the basement, a silent figure smoking a cigarette in the dark. As Augusten grew older, something sinister within his father began to unfurl. Something dark and secretive that could not be named.
Betrayal after shocking betrayal ensued, and Augusten's childhood was over. The kind of father he wanted didn't exist for him. This father was distant, aloof, uninterested...
And then the "games" began.
With A Wolf at the Table, Augusten Burroughs makes a quantum leap into untapped emotional terrain: the radical pendulum swing between love and hate, the unspeakably terrifying relationship between father and son. Told with scorching honesty and penetrating insight, it is a story for anyone who has ever longed for unconditional love from a parent. Though harrowing and brutal, A Wolf at the Table will ultimately leave you buoyed with the profound joy of simply being alive. It's a memoir of stunning psychological cruelty and the redemptive power of hope.