Kim Yu-jeong (1908-1937)’s stories portray, with a unique, folksy sense of humor, everyday people living out hardscrabble lives against the bleak backdrop of rural Korea. Kim Yu-jeong made his literary debut in 1935 with the selection of “The Rainstorm” by the Chosun Ilbo, and “The Bonanza” by the Joseon Jungang Ilbo. He then went on to publish prolifically during the two short years before his death in 1937, leaving behind more than 30 novels and 10 essays, and opening up a new horizon in Korean literature.
Many of Kim Yu-jeong’s most representational stories—including “Spring, Spring”, “The Mountain Traveler”, “The Rascal”, “The Golden Bean Patch”, and “Camelias”—depict various aspects of life in rural Korea. Kim’s prose, with its liberal use of lively onomatopoeia, rustic dialects, and homespun colloquialisms, lends great animation to his subjects, providing us with vitality-filled sketches of the impoverished and miserable lives lived by the lowest classes in rural villages under Japanese colonial rule. The particular significance of Kim’s stories within Korean literature, however, comes from the consistent sensitivity of feeling which they evince in their telling.