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New York Times bestseller!

Blade never asked for a life of the rich and famous. In fact, he’d give anything not to be the son of Rutherford Morrison, a washed-up rock star and drug addict with delusions of a comeback. Or to no longer be part of a family known most for lost potential, failure, and tragedy, including the loss of his mother. The one true light is his girlfriend, Chapel, but her parents have forbidden their relationship, assuming Blade will become just like his father.

In reality, the only thing Blade and Rutherford have in common is the music that lives inside them. And songwriting is all Blade has left after Rutherford, while drunk, crashes his high school graduation speech and effectively rips Chapel away forever. But when a long-held family secret comes to light, the music disappears. In its place is a letter, one that could bring Blade the freedom and love he’s been searching for, or leave him feeling even more adrift.

“A contemporary hero’s journey, brilliantly told.” —Kirkus Reviews, starred review

“A rhythmic, impassioned ode to family, identity, and the history of rock and roll.” —Booklist, starred review

“Many readers will identify with Blade’s struggle to find his place in a family where he feels like an outsider.” —Publishers Weekly

“The authentic character development and tone will strike a chord with young adults.” —School Library Journal

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About the author

Kwame Alexander is a poet, speaker, educator, and New York Times bestselling author of twenty-four books, including The Crossover, which received the 2015 John Newbery Medal for the Most Distinguished Contribution to American Literature for Children. His other works include the novels He Said, She Said and Booked, as well as his nonfiction debut, The Playbook: 52 Rules to Aim, Shoot, and Score in This Game Called Life. He is the cofounder of LEAP for Ghana, an international literacy program. Visit him at KwameAlexander.com.

Mary Rand Hess is a poet, screenwriter, editor, and author of several books, including Animal Ark: Celebrating Our Wide World in Poetry and Pictures (National Geographic, 2017), which she coauthored with Deanna Nikaido and Newbery Medalist Kwame Alexander.

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Additional Information

Publisher
Blink
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Published on
Aug 1, 2017
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Pages
464
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ISBN
9780310761907
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Features
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Language
English
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Genres
Young Adult Fiction / Diversity & Multicultural
Young Adult Fiction / Literary
Young Adult Fiction / Novels in Verse
Young Adult Fiction / Social Themes / General
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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This gripping conclusion to the New York Times bestselling Crank trilogy features a refreshed look and a trade paperback trim size.

Hunter, Autumn, and Summer—three of Kristina Snow’s five children—live in different homes, with different guardians and different last names. They share only a predisposition for addiction and a host of troubled feelings toward the mother who barely knows them, a mother who has been riding with the monster, crank, for twenty years.

Hunter is nineteen, angry, getting by in college with a job at a radio station, a girlfriend he loves in the only way he knows how, and the occasional party. He's struggling to understand why his mother left him, when he unexpectedly meets his rapist father, and things get even more complicated. Autumn lives with her single aunt and alcoholic grandfather. When her aunt gets married, and the only family she’s ever known crumbles, Autumn’s compulsive habits lead her to drink. And the consequences of her decisions suggest that there’s more of Kristina in her than she’d like to believe. Summer doesn’t know about Hunter, Autumn, or their two youngest brothers, Donald and David. To her, family is only abuse at the hands of her father’s girlfriends and a slew of foster parents. Doubt and loneliness overwhelm her, and she, too, teeters on the edge of her mother’s notorious legacy. As each searches for real love and true family, they find themselves pulled toward the one person who links them together—Kristina, Bree, mother, addict. But it is in each other, and in themselves, that they find the trust, the courage, the hope to break the cycle.

Told in three voices and punctuated by news articles chronicling the family’s story, FALLOUT is the stunning conclusion to the trilogy begun by CRANK and GLASS, and a testament to the harsh reality that addiction is never just one person’s problem.
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