The author of The Outcast Oracle delivers 23 stories dealing with the metaphorical concept of fog as a state produced by grief, mental illness, love, anger, religious fanaticism, dementia, pain, prejudice, or dreams and how the human being refracts reality through these diffused prisms. Protagonists struggle with physical and psychological distortions that lead them down problematic paths, whether due to jealousy or desire in the case of lovers or hypothermia experienced by a fallen mountain climber.
Shortlisted for the prestigious UK Saboteur prize.
Laury A. Egan is the author of Jenny Kidd, a psychological suspense novel, and Fog and Other Stories, which was short-listed for a UK Saboteur Award. In addition to writing fiction, two poetry collections, Snow, Shadow, a Stranger and Beneath the Lion’s Paw, were issued by FootHills Publishing as well as a chapbook, The Sea & Beyond. Her work has appeared in over 35 literary journals and anthologies and has been nominated for two Pushcart Prizes, Best of the Web, and Best of the Net.
The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.
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Like others in showbiz, Gil is dying to become famous on the New York operatic stage; unfortunately, he might get his wish when he lands a lead role in a dream production that also happens to be targeted for total destruction by a vengeful, female gangster.
Suddenly, happy-go-lucky Gil finds himself stranded in the middle of Mobster Boulevard, aflutter in heels, dresses, and wigs, with only his wits for protection and a new romance for inspiration.
The Outcast Oracle is about a teenage girl, but it’s a book for any adult who remembers the traumas of adolescence and the shock of discovering that religion is not all it’s cracked up to be.
On the shores of New York’s Lake Ontario in 1959, 14-year-old Charlene Beth Whitestone has been deserted by her parents, leaving her in the custody of her grandfather, C.B. Although he loves Charlie, he is a charming con artist, moonshiner, and religious fraud who inducts her into his various enterprises yet also encourages her dreams of becoming a writer. When C.B. suddenly dies, Charlie is left alone and must use her wits and resourcefulness to take charge of her life, all the while wrestling with the morality of continuing her grandfather’s schemes. When a handsome cowboy-stranger, Blake, arrives, he insinuates himself into C.B.’s religion business and into Charlie’s heart. Despite her resistance, Blake mounts a lucrative PR campaign, touting Charlie as an “oracle” and arranging for her to perform miracles.
“It’s this highly literary, easily accessible writing that lifts this story to the very top of the heap,” the Kirkus review concluded.