Hotel Bolivia: The Culture of Memory in a Refuge from Nazism

Leo Spitzer

Aug 2019 · Plunkett Lake Press

About this ebook

Desperate to escape the increasingly vehement persecution in their homelands, thousands of refugees from Nazi-dominated Central Europe, the majority of them Jews, found refuge in Latin America in the 1930s. Bolivia became a principal recipient of this influx — one of the few remaining places in the entire world to accept Jewish refugees after the German Anschluss of Austria in 1938. Some 20,000 refugees arrived in Bolivia, more than in Canada, Australia, New Zealand, South Africa — the leading British Commonwealth countries — combined.

In Bolivia, the refugees began to reconstruct a version of the world that they had been forced to abandon. Their own origins and social situations had been diverse in Central Europe, ranging across generational, class, educational, and political differences, and incorporating various professional, craft, and artistic backgrounds. But it was Austro/German Jewish bourgeois society that provided them with a model for emulation and a common locus for identification in their place of refuge. Indeed, at the very time when that dynamic social and cultural amalgam was being ruthlessly and systematically destroyed by the Nazis, the Jewish refugees in Bolivia attempted to recall and revive a version of it in a land thousands of miles from their home: in a country that offered them a haven, but in which many of them felt themselves as mere sojourners.

Hotel Bolivia explores an important, but generally neglected, aspect of the experience of group displacement — the relationship between memory and cultural survival during an era of persecution and genocide. Employing oral histories, family photographs, artistic and documentary portrayals, it considers the Third Reich background for the emigration, the refugees’ perceptions of past and future, and the role of images and stereotypes in shaping refugee and Bolivian cross-cultural communication and acceptance. It examines how the immigrants remembered, recalled and reshaped the European world they had been forced to abandon in the institutions, culture, and community they created in Bolivia. In documenting life stories and reclaiming the memories and discourses of ordinary persons who might otherwise remain hidden from history, Hotel Bolivia contributes to a major objective of contemporary historical studies. But it is also directly concerned with theoretical issues, increasingly evident in historical writing, focusing on the contextualization of memory and the interdependence – and tension – between memory and history. In reflecting on remembered experience, over time and between people, the ultimate objective of this book is to contribute to the historical study of memory itself.

“A curiously inspiring corner of Holocaust history: the story is of how culture and memory survive, and change, in the shock of new surroundings.” — Adam Hochschild, author of King Leopold’s Ghost

“A form of doing history that offers fresh intellectual insights while touching the heart.” — Ruth Behar, University of Michigan, author of The Vulnerable Observer andTranslated Women

“It is rare that a scholarly book reads like a novel. Leo Spitzer’s compelling Hotel Bolivia not only is beautifully written but changes the way we think about history... This groundbreaking book will become required reading in numerous fields, including Latin American studies, Jewish studies, diaspora studies, immigration studies, and ethnic studies.” — Jeffrey Lesser, Brown University, author of Welcoming the Undesirables: Brazil and the Jewish Question

“Evocative, thoughtful, and otherwise impressive... Vividly introduces readers to a little-known aspect of refugee history during the Holocaust.” — Kirkus

“A searing account of the Jewish refugees’ checkered experience... Part memoir, part oral history, Spitzer’s eye-opening study uses interviews with surviving refugees (now widely dispersed around the world), plus letters, photographs, family albums and archival documents to explore the trauma of displacement.” — Publishers Weekly

About the author

Leo Spitzer is the K. T. Vernon Professor of History Emeritus and Research Professor at Dartmouth College. A 2014 Research Fellow at the Stellenbosch Institute for Advanced Studies, South Africa, and Fellow at the Center for the Study of Social Difference, Columbia University, he has received numerous awards, including fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Humanities, the National Humanities Center, the American Council of Learned Societies, as well as from the Rockefeller Foundation’s Bellagio Center and the Bogliasco Foundation’s Liguria Center.

A cultural and comparative historian working in the interdisciplinary field of Memory Studies, he employs personal and familial oral histories, testimonial documents, and wide-ranging photographic and artistic resources to write about responses to colonialism and domination, Jewish refugee memory, and traumatic witnessing and its generational transmission into postmemory. His most recent book, co-authored with Marianne Hirsch, is Ghosts of Home: The Afterlife of Czernowitz in Jewish Memory. He is also the author of Lives in Between: The Experience of Marginality in a Century of Emancipation; The Creoles of Sierra Leone: Responses to Colonialism; and co-editor, with Mieke Bal and Jonathan Crewe, of Acts of Memory: Cultural Recall in the Present. Currently, with Marianne Hirsch, he is writing School Photos in Liquid Time, a book about the hidden lives and afterlives of school-class pictures. He is also working on a series of vignettes, some autobiographical, for a book about the Americanization of Jewish refugee children emigrating from Latin America to the United States in the decade of the 1950s.