We That Are Left

Allen & Unwin
Free sample

Melbourne, 1941. Headstrong young Mae meets and falls head over heels in love with Harry Parker, a dashing naval engineer. After a whirlwind courtship they marry and Mae is heavily pregnant when she hears that Harry has just received his dream posting to HMAS Sydney. Just after Mae becomes a mother, she learns Harry's ship is missing.

Meanwhile, Grace Fowler is battling prejudice to become a reporter on the afternoon daily newspaper, The Tribune, while waiting for word on whether her journalist boyfriend Phil Taylor, captured during the fall of Singapore, is still alive.

Surrounded by their friends and families, Mae and Grace struggle to keep hope alive in the face of hardship and despair. Then Mae's neighbour and Grace's boss Sam Barton tells Mae about a rumour that the Japanese have towed the damaged ship to Singapore and taken the crew prisoner. Mae's life is changed forever as she focuses her efforts on willing her husband home.

Set in inner Melbourne and rural Victoria, We That Are Left is a moving and haunting novel about love and war, the terrifyingly thin line between happiness and tragedy, and how servicemen and women are not the only lives lost when tragedy strikes during war.
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About the author

Lisa Bigelow's life revolves around story-telling. An avid reader from age five, her career as a journalist and communicator has been all building and delivering compelling stories about water resources, climate change and any issue that interests her audiences. She recently completed a Masters Degree in Communication and aims to use her writing to illuminate ongoing issues and make them accessible to a wide readership. We That Are Left is her first novel.
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Additional Information

Publisher
Allen & Unwin
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Published on
Aug 23, 2017
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Pages
400
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ISBN
9781760639310
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Language
English
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Genres
Fiction / General
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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Shortlisted for the Miles Franklin Literary Award, 2014.

A heartbreaking story of love and loss set against the backdrop of a Japanese internment camp in Victoria during WW2.

Arthur Wheeler is haunted by his infatuation with a Japanese youth he encountered in the enemy alien camp where he worked as a guard during WW2. Abandoning his wife and baby son, Arthur sets out on a doomed mission to rescue his lover from forced deportation back to Japan, a country in ruins.

Thus begins the secret history of a soldier at war with his own sexuality and dangerously at odds with the racism that underpins the crumbling British Empire.

Four decades later Arthur is still obsessed with the traumatic events of his youth. He proposes a last reunion with his lost lover, in the hope of laying his ghosts to rest, but this mission too seems doomed to failure.

Like Merry Christmas Mr Lawrence and Snow Falling On Cedars, My Beautiful Enemy explores questions of desire and redemption against the background of a savage racial war. In this context, Arthur's private battles against his own nature, and against the conventions of his time, can only end in heartache.

Cory Taylor is an award-winning screenwriter who has also published short fiction and children's books. Her first novel, Me and Mr Booker, won the Commonwealth Writers Prize (Pacific Region). She lives in Brisbane.

'Taylor has crafted her novel superbly. The pace is measured, and the restraint, particularly in the later stages of the book, lends My Beautiful Enemy its emotional punch...A moving and accomplished novel that explores fascinating untold lives from our past.' Sydney Morning Herald/Age/Canberra Times

'Black humour is cunningly tangled with moments of sheer emotional devastation; Taylor crafts sentences of such sharpness and insight that I was forced to pause at moments to bask in the prose. My Beautiful Enemy is a heartfelt and beautifully written novel about love and war for readers of exquisitely crafted literary fiction.' Australian Bookseller and Publisher

'An almost unbearably beautiful story about longing and secret lives in which grief and joy turn out to be much the same thing.' Robert Dessaix

'Longing, desire, fear, confusion and self-delusion are all expressed with finesse and subtlety in a distinctive, memorable voice and assured, elegant prose.' Caroline Baum, Booktopia

'This is a beautifully told story of love, longing and the war within.' The Hoopla

‘Reminiscent of a Kazuo Ishiguro novel...a love story that is tender and original.' Readings Monthly

“If the legendary Schindler’s List was not enough to showcase Thomas Keneally’s literary mastery, then [this novel] surely will” (New York Daily News) as the Booker Prize-winning author reimagines from all sides the drastic true events of the night more than one thousand Japanese POWs staged the largest and bloodiest prison escape of World War II.

Alice is living on her father-in-law’s farm on the edge of an Australian country town, while her husband is held prisoner in Europe. When Giancarlo, an Italian inmate at the prisoner-of-war camp down the road, is assigned to work on the farm, she hopes that being kind to him will somehow influence her husband’s treatment. What she doesn’t anticipate is how dramatically Giancarlo will change the way she understands both herself and the wider world.

What most challenges Alice and her fellow townspeople is the utter foreignness of the thousand-plus Japanese inmates and their deeply held code of honor, which the camp commanders fatally misread. Mortified by being taken alive in battle and preferring a violent death to the shame of living, the Japanese prisoners plan an outbreak with shattering and far-reaching consequences for all the citizens around them.

In a career spanning half a century, Thomas Keneally has proven brilliant at exploring ordinary lives caught up in extraordinary events. With this profoundly gripping and thought-provoking novel, inspired by a notorious incident in New South Wales in 1944, he once again shows why he is celebrated as a writer who “looks into the heart of the human condition with a piercing intelligence that few can match” (Sunday Telegraph).
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