Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence

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This guide reveals how writers can utilize cognitive storytelling strategies to craft stories that ignite readers’ brains and captivate them through each plot element.

Imagine knowing what the brain craves from every tale it encounters, what fuels the success of any great story, and what keeps readers transfixed. Wired for Story reveals these cognitive secrets—and it’s a game-changer for anyone who has ever set pen to paper.

The vast majority of writing advice focuses on “writing well” as if it were the same as telling a great story. This is exactly where many aspiring writers fail—they strive for beautiful metaphors, authentic dialogue, and interesting characters, losing sight of the one thing that every engaging story must do: ignite the brain’s hardwired desire to learn what happens next. When writers tap into the evolutionary purpose of story and electrify our curiosity, it triggers a delicious dopamine rush that tells us to pay attention. Without it, even the most perfect prose won’t hold anyone’s interest.

Backed by recent breakthroughs in neuroscience as well as examples from novels, screenplays, and short stories, Wired for Story offers a revolutionary look at story as the brain experiences it. Each chapter zeroes in on an aspect of the brain, its corresponding revelation about story, and the way to apply it to your storytelling right now.
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About the author

LISA CRON has worked as a literary agent, a TV producer, and a story consultant for Warner Brothers, the William Morris Agency, and many others. She is a frequent speaker at writers’ conferences, and a story coach for writers, educators, and journalists. She teaches in the UCLA Extension Writers’ Program, is on the faculty of the School of Visual Arts MFA in Visual Narrative Program, and is the author of Wired for Story. She splits her time between Santa Monica, California, and New York, New York.
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Additional Information

Publisher
Ten Speed Press
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Published on
Jul 10, 2012
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Pages
272
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ISBN
9781607742463
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Language
English
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Genres
Language Arts & Disciplines / Composition & Creative Writing
Reference / Writing Skills
Science / Cognitive Science
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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"What do you think of my fiction book writing?" the aspiring novelist extorted.

"Darn," the editor hectored, in turn. "I can not publish your novel! It is full of what we in the business call 'really awful writing.'"

"But how shall I absolve this dilemma? I have already read every tome available on how to write well and get published!" The writer tossed his head about, wildly.

"It might help," opined the blonde editor, helpfully, "to ponder how NOT to write a novel, so you might avoid the very thing!"

Many writing books offer sound advice on how to write well. This is not one of those books. On the contrary, this is a collection of terrible, awkward, and laughably unreadable excerpts that will teach you what to avoid—at all costs—if you ever want your novel published.

In How Not to Write a Novel, authors Howard Mittelmark and Sandra Newman distill their 30 years combined experience in teaching, editing, writing, and reviewing fiction to bring you real advice from the other side of the query letter. Rather than telling you how or what to write, they identify the 200 most common mistakes unconsciously made by writers and teach you to recognize, avoid, and amend them. With hilarious "mis-examples" to demonstrate each manuscript-mangling error, they'll help you troubleshoot your beginnings and endings, bad guys, love interests, style, jokes, perspective, voice, and more. As funny as it is useful, this essential how-NOT-to guide will help you get your manuscript out of the slush pile and into the bookstore.

NEW YORK TIMES BESTSELLER

Lizzy and Diesel are back in an all-new wicked adventure from Janet Evanovich and Emmy Award–winning co-author Phoef Sutton.
 
Before he was murdered and mummified nearly a century ago, notorious bootlegger Collier “Peg Leg” Dazzle discovered and re-hid a famous pirate’s treasure somewhere along the coast of New England. A vast collection of gold and silver coins and precious gems, the bounty also contains the Stone of Avarice—the very item reluctant treasure seeker Lizzy Tucker and her partner, Diesel, have been enlisted to find. While Lizzy would just like to live a quiet, semi-normal life, Diesel is all about the hunt. And this hunt is going to require a genuine treasure map and a ship worthy of sailing the seven seas . . . or at least getting them from Salem Harbor to Maine.
 
Greed is eternal and insatiable, and Lizzy and Diesel aren’t the only ones searching for the lost pirate’s chest. People who have dedicated their entire lives to finding it are willing to commit murder or make a deal with the devil just to hold the fortune in their hands. One of those people may even be Wulf, Diesel’s deceptively charming and enigmatic cousin. Wulf desires the Stone of Avarice. He also desires Lizzy. It’s hard to say how far he’s willing to go to gain either one.
 
Wicked Charms is a swashbuckling adventure full of raiders, monkeys, minions, and mayhem. Lizzy and Diesel are going to have to do everything they can to keep their heads above water and hope they’re living a charmed life.

Praise for Wicked Charms
 
“Delivers what Evanovich’s readers have come to expect: laughs, oddball situations, quirky supporting characters, and a dash or two of romance.”—Examiner.com
Your future as a writer is in your hands. Whether you are a newcomer or an accomplished professional, a novelist, story writer, or a writer of nonfiction, you will find this book a wealth of immediately useful guidance not available anywhere else. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of useable solutions-- how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place."

You will find one of the great unspoken secrets of craftsmanship in Chapter 5, called "Markers: The Key to Swift Characterization." In Chapter 7, Stein reveals for he first time in print the wonderful system for creating instant conflict developed in the Playwrights Group of the Actors Studio, of which he was a founder. In "Secrets of Good Dialogue," the premier teacher of dialogue gives you the instantly useable techniques that not only make verbal exchanges exciting but that move the story forward immediately. You won't need to struggle with flashbacks or background material after you've read Chapter 14, which shows you how to bring background into the foreground.

Writers of both fiction and nonfiction will relish the amphetamines for speeding up pace, and the many ways to liposuction flab, as well as how to tap originality and recognize what successful titles have in common. You'll discover literary values that enhance writing, providing depth and resonance. You'll bless the day you read Chapters 32 and 33 and discover why revising by starting at page one can be a serious mistake, and how to revise without growing cold on your manuscript.

In the pages of this book, nonfiction writers will find a passport to the new revolution in journalism and a guide to using the techniques of fiction to enhance nonfiction. Fresh, useful, informative, and fun to read and reread, Stein on Writing is a book you will mark up, dog-ear, and cherish.

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