Lori Ostlund’s first collection of stories, The Bigness of the World, received the Flannery O’Connor Award for Short Fiction, the California Book Award for First Fiction, and the Edmund White Debut Fiction Award. It was shortlisted for the William Saroyan International Prize for Writing, was a Lambda finalist, and was named a Notable Book by The Short Story Prize. Her stories have appeared in Best American Short Stories and The PEN/O. Henry Prize Stories, among other publications. In 2009, Lori received a Rona Jaffe Foundation Award. She is the author of the novel, After the Parade and lives in San Francisco.
In prose highlighted by both satire and poignant observation, Ostlund offers characters that represent a different sort of everyman—men and women who poke fun at ideological rigidity while holding fast to good grammar and manners, people seeking connections in a world that seems increasingly foreign. In “Upon Completion of Baldness” a young woman shaves her head for a part in a movie in Hong Kong that will help her escape life with her lover in Albuquerque. The precocious narrator of “All Boy” finds comfort when he is locked in a closet by a babysitter. In “Dr. Deneau’s Punishment” a math teacher leaving New York for Minnesota as a means of punishing himself engages in an unsettling method of discipline. A lesbian couple whose relationship is disintegrating flees to the Moroccan desert in “The Children beneath the Seat.” And in “Idyllic Little Bali” a group of Americans gathers around a pool in Java to discuss their brushes with fame and ends up witnessing a man’s fatal flight from his wife.
In the eleven stories in The Bigness of the World we see that wherever you are in the world, where you came from is never far away.
NAMED ONE OF THE BEST BOOKS OF 2015 BY THE WASHINGTON POST, TIME, MEN’S JOURNAL, CHICAGO TRIBUNE, KANSAS CITY STAR, BROOKLYN MAGAZINE, NPR, HUFFINGTON POST, THE DAILY BEAST, AND BUZZFEED
WINNER OF THE 2015 ERNEST J. GAINES AWARD FOR LITERARY EXCELLENCE
LONGLISTED FOR THE 2016 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION
From the PEN/Faulkner finalist and critically acclaimed author of Hold It ’Til It Hurts comes a dark and socially provocative Southern-fried comedy about four UC Berkeley students who stage a dramatic protest during a Civil War reenactment—a fierce, funny, tragic work from a bold new writer.
Welcome to Braggsville. The City that Love Built in the Heart of Georgia. Population 712
Born and raised in the heart of old Dixie, D’aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyper-liberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of Berzerkeley, the nineteen-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends: Louis, a “kung-fu comedian" from California; Candice, an earnest do-gooder claiming Native roots from Iowa; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the “4 Little Indians.”
But everything changes in the group’s alternative history class, when D’aron lets slip that his hometown hosts an annual Civil War reenactment, recently rebranded “Patriot Days.” His announcement is met with righteous indignation, and inspires Candice to suggest a “performative intervention” to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious to start, but will have devastating consequences.
With the keen wit of Billy Lynn’s Long Halftime Walk and the deft argot of The Brief Wondrous Life of Oscar Wao, T. Geronimo Johnson has written an astonishing, razor-sharp satire. Using a panoply of styles and tones, from tragicomic to Southern Gothic, he skewers issues of class, race, intellectual and political chauvinism, Obamaism, social media, and much more.
A literary coming-of-age novel for a new generation, written with tremendous social insight and a unique, generous heart, Welcome to Braggsville reminds us of the promise and perils of youthful exuberance, while painting an indelible portrait of contemporary America.
On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia’s National Palace of Culture. There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and want.
What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.
A conversation between Garth Greenwell and Hanya Yanagihara is included inside the e-book edition.