Making Silver Jewellery

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Silver is an exciting and versatile material for jewellery makers, both beginners and the more advanced, and nothing beats the satisfaction of creating and making your own designs. This book shows you how. Full of inspiring ideas and finished pieces, it explains over forty processes including the more advanced techniques such as fold forming and keum-boo and encourages the reader to experiment with their own designs. Contents include: Step-by-step explanations with bench tips from the author's own experience; advice on the jewellery process, including how to gather inspiration for designs and considerations for making wearable jewellery; a chapter dedicated to the surface finishing and polishing of silver to give your designs a professional finish. This is an accessible introduction to making silver jewellery with progression to more advanced techniques. Beautifully illustrated with 324 colour photographs.
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Published on
Feb 28, 2014
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Crafts & Hobbies / Jewelry
Design / Decorative Arts
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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A bulky, comprehensive book on oil painting various subject matter.

Ever had trouble drawing ellipses, mixing skin colours or painting skies? This bumper oil painting book tackles 78 such painting ‘peeves’ with suggested solutions.

The Ultimate Oil Painting Solution comprise three full-length art books: Why do my Clouds Look Like Cotton Wool? a problem-solver for landscape painting; Why do my Skin Tones Look Lifeless? a problem-solver for portrait painting, and Why do my Ellipses Look Like Doughnuts? a problem-solver for still life painting.

Each book can be purchased singly if interested in just one subject area. However, purchasing the three in this bundle book will work out a little cheaper than buying the three books individually.

Each book comprises 26 common ‘peeves’ (in the form of chapters) associated with the oil painting area concerned, and therefore you will find 78 such peeves and suggested solutions collectively within.

The book has 73,000 words, 78 chapters and around 400 images.

Each book also possesses a step by step painting demonstration associated with the subject area. These are Castlerigg Stone Circle (for landscape art); David’s Oath of the Horatii (for portraiture) and painting strawberries (for still life).

The ‘peeves’ selected represent common problem areas that students have experienced in my art classes. Such peeves include the rendering of foreshortenings, darkening skin colours, suggesting ripples in water, painting clouds, mixing greens, suggesting soft hair, painting noses, reflections in eyes, moisture on fruit, portrait photography, measuring tones, darkening snow colours and a myriad of other peeves.

As each book are in themselves separate entities, where applicable, similar information is presented in context of landscape art, portraiture and still life painting, although the information is presented differently. Examples of this are the art materials needed for painting and the nature of pigments. However, such occurrences are mostly confined to the introductory chapters of each book and occur seldom elsewhere.

Key chapters in this book cover the colour theory, perspectives, drawing ellipses, the golden section, tonal values, underglazing, art techniques, the nature of pigments, essential art materials, monochromatic painting, composing an arrangement, negative shapes, painting en plein air, drawing foreshortenings, creating mood, making a viewfinder, colour temperatures, drawing methods, the rules of reflections, painting on a budget, types of gessoes, skin colours and much, much more.

The aim of this book is to find a ‘cure’ for a given issue and enable the developing artist to improve in the future. Most of all, to encourage creativity and growing confidence.

Dimensions of print book: 10x8in and 234 pages.

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