“In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old.”
Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations—those who lived through Mao’s Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers in the fragile layers of their collective story. Her quest will unveil how Kai, her enigmatic father, a talented pianist, and Ai-Ming’s father, the shy and brilliant composer, Sparrow, along with the violin prodigy Zhuli were forced to reimagine their artistic and private selves during China’s political campaigns and how their fates reverberate through the years with lasting consequences.
With maturity and sophistication, humor and beauty, Thien has crafted a novel that is at once intimate and grandly political, rooted in the details of life inside China yet transcendent in its universality.
Madeleine Thien is the author of three novels and a collection of stories, and her work has been translated into twenty-five languages. Her most recent novel, Do Not Say We Have Nothing, was shortlisted for the 2016 Man Booker Prize. She lives in Montreal, Canada.
Set in Cambodia during the regime of the-Khmer Rouge and in present day Montreal, Dogs at the Perimeter tells the story of Janie, who as a child experiences the terrible violence carried out by the Khmer Rouge and loses everything she holds dear. Three decades later, Janie has relocated to Montreal, although the scars of her past remain visible. After abandoning her husband and son and taking refuge in the home of her friend, the scientist Hiroji Matsui, Janie and Hiroji find solace in their shared grief and pain—until Hiroji’s disappearance opens old wounds and Janie finds that she must struggle to find grace in a world overshadowed by the sorrows of her past.
Beautifully realized, deeply affecting, Dogs at the Perimeter evokes the injustice of tyranny through the eyes of a young girl and draws a remarkable map of the mind’s battle with memory, loss, and the horrors of war. It confirms Madeleine Thien as one of the most gifted and powerful novelists writing today.
Finalist for the International Literature Prize and the Hugh MacLennan Prize for Fiction
A Canada Reads Top Forty Book
A Globe and Mail Best Book
Winner of the National Book Critics Circle Award in Fiction
Winner of the John Dos Passos Prize for Literature
New York Times Bestseller
Los Angeles Times Bestseller
Named One of the 10 Best Books of the Year by The New York Times Book Review
Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly
Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog
A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant.
Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.
Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
A magnificent and ambitiously conceived portrait of contemporary life, by a genius of realism
Nine men. Each of them at a different stage in life, each of them away from home, and each of them striving--in the suburbs of Prague, in an overdeveloped Alpine village, beside a Belgian motorway, in a dingy Cyprus hotel--to understand what it means to be alive, here and now. Tracing a dramatic arc from the spring of youth to the winter of old age, the ostensibly separate narratives of All That Man Is aggregate into a picture of a single shared existence, a picture that interrogates the state of modern manhood while bringing to life, unforgettably, the physical and emotional terrain of an increasingly globalized Europe. And so these nine lives form an ingenious and new kind of novel, in which David Szalay expertly plots a dark predicament for the twenty-first-century man.
Dark and disturbing, but also often wickedly and uproariously comic, All That Man Is is notable for the acute psychological penetration Szalay brings to bear on his characters, from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Steadily and mercilessly, as this brilliantly conceived book progresses, the protagonist at the center of each chapter is older than the last one, it gets colder out, and All That Man Is gathers exquisite power. Szalay is a writer of supreme gifts--a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos.
Margaret Atwood, Gary Barwin, Dionne Brand, Fanny Britt, Douglas Coupland, France Daigle, Alain Farah, Naomi Fontaine, Dominique Fortier, Krista Foss, Kim Fu, Rawi Hage, Anosh Irani, Falen Johnson, Benoit Jutras, Alex Leslie, Alexander MacLeod, Daphne Marlatt, Lisa Moore, Nadim Roberts, Armand Garnet Ruffo, Chlo Savoie-Bernard, Anakana Schofield, Paul Seesequasis, Johanna Skibsrud, Karen Solie, Souvankham Thammavongsa, Larry Tremblay.
Guest-edited by Catherine Leroux and Madeleine Thein:
Catherine Leroux is a novelist, translator and journalist. Le mur mitoyen won the 2014 France-Quebec Prize and its English translation, The Party Wall, was nominated for the Giller Prize in 2016.
Madeleine Thien is the author of the story collection Simple Recipes, and three novels, including Certainty and Dogs at the Perimeter. Her most recent book, Do Not Say We Have Nothing, was shortlisted for the Man Booker Prize, won the Scotiabank Giller Prize and the Governor-General's Literary Award for Fiction.