BEFORE: In Bristol’s center lies the Croft, a digital no-man’s-land cut off from the surveillance, Big Data dependence, and corporate-sponsored, globally hegemonic aspirations that have overrun the rest of the world. Ten years in, it’s become a center of creative counterculture. But it’s fraying at the edges, radicalizing from inside. How will it fare when its chief architect, Rushdi Mannan, takes off to meet his boyfriend in New York City—now the apotheosis of the new techno-utopian global metropolis?
AFTER: An act of anonymous cyberterrorism has permanently switched off the Internet. Global trade, travel, and communication have collapsed. The luxuries that characterized modern life are scarce. In the Croft, Mary—who has visions of people presumed dead—is sought out by grieving families seeking connections to lost ones. But does Mary have a gift or is she just hustling to stay alive? Like Grids, who runs the Croft’s black market like personal turf. Or like Tyrone, who hoards music (culled from cassettes, the only medium to survive the crash) and tattered sneakers like treasure.
The world of Infinite Detail is a small step shy of our own: utterly dependent on technology, constantly brokering autonomy and privacy for comfort and convenience. With Infinite Detail, Tim Maughan makes the hitherto-unimaginable come true: the End of the Internet, the End of the World as We Know It.
The women of Arras are expected to fall into assigned roles, serve as loving wives, and provide healthy children into the world's tapestry. But perfection comes at a price and not even the looms of Arras can manipulate away every problem in the fabric of life. Something Karoline Swander knows all too well. She has a respectable job, an important husband, and she's about to commit treason.
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It’s Wednesday the 7th March 2018 – in the mainland UK.
Everywhere else, it’s June 1065. No one knows what caused The Break eleven months ago, but there’s no sign of its end. England is settling into its new future as a reindustrialising concentration camp. The rest of the world is watching… waiting... curious...
Jennifer thinks her family survived The Hunger because of their smuggling business – tampons and paracetamol to France, silver back to England. Little does she know what game her father was really playing, as she recrosses the Channel from an Impromptu mission of her own. Little can she know how her life has already been torn apart.
Who has taken Jennifer’s parents?
Where are they?
What is the Home Secretary up to with the Americans?
Why is she so desperate to lay hands on Michael?
Will Jesus Christ return to Earth above Oxford Circus?
When will the “Doomsday Project” go live?
Can the Byzantine Empire and the Catholic Church take on the British State, and win?
All will be answered – if Jennifer can stay alive in a post-apocalyptic London terrorised by cannibals, by thugs in uniform, and by motorbike gangs of Islamic suicide bombers.
But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade's going to survive, he'll have to win—and confront the real world he's always been so desperate to escape.