PRAISE FOR CRONE’S WINES:
Margaret Rockwell Finch’s moving lyrics are passionate and lightly elegiac by turns. They speak unabashedly about desire and the human heart, but without the taints of sensationalism or sentimentality. Speak, however, is not the right word; given the delicately turned musicality of these poems, the mot juste must be sing.
— David Yezzi, author of Birds of the Air
Haunted, burnished passion echoes through these deft and beautifully alert lyrics. Margaret Rockwell Finch uses poetry’s traditional means to ends that are purely her own. From time’s quarrels, she has fashioned poems that resonate with poetry’s timelessness.
— Baron Wormser, author of The Road Washes Out in Spring
Like the best of the chain of passionate women poets to which she belongs, Margaret Rockwell Finch is skilled in the perfectly torqued line, angled to pull power straight from the personal and often the collective unconscious. So many of these perfect crystals, forged with feeling and dignity out of the heart of experience, shine with the clarity of honesty and the strength of skillful craft. I am honored to count this poet as my literal and literary foremother.
— Annie Finch, author of Spells: New and Selected Poems
Maggie Finch was born Margaret Rockwell on April 20, 1921. Her poems have appeared in publications such as The Christian Science Monitor, Saturday Review, and Sequoia, and her three previous books of poems are Davy’s Lake, The Barefoot Goose, and Sonnets from Seventy-Five Years. She has served as president of the National Institute of American Doll Artists and copresident of the Maine Poets Society.