Focusing on Gayl Jones's Corregidora, Octavia Butler's Kindred, Phyllis Alesia Perry's Stigmata, Cristina García's Dreaming in Cuban, Nora Okja Keller's Comfort Woman, and Edwidge Danticat's The Dew Breaker, Bellamy shows how cultural context determines the ways in which traumatic history is remembered and transmitted to future generations. Taken together, these narratives of postmemory manifest the haunting presence of the past in the present and constitute an archive of textual witness and global relevance that builds cross-cultural understanding and ethical engagement with the suffering of others.
Maria Rice Bellamy is Associate Professor of English at the College of Staten Island, City University of New York.
This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of the story itself, comments and letters by O'Connor about the story, critical essays, and a bibliography. The critical essays span more than twenty years of commentary and suggest several approaches to the story--formalistic, thematic, deconstructionist-- all within the grasp of the undergraduate, while the introduction also points interested students toward still other resources. Useful for both beginning and advanced students, this casebook provides an in-depth introduction to one of America's most gifted modern writers.
A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.
Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.