The third volume in the ground-breaking, genre-bending, boundary-pushing CLOCKWORK PHOENIX anthology series, now available in digital format.
Includes critically-acclaimed and award-nominated stories by Marie Brennan, Tori Truslow, Georgina Bruce, Michael M. Jones, Gemma Files, C.S.E. Cooney, Cat Rambo, Gregory Frost, Shweta Narayan, S.J. Hirons, John Grant, Kenneth Schneyer, John C. Wright, Nicole Kornher-Stace and Tanith Lee.
With a whimsical introduction and new afterword by Nebula Award-nominated editor Mike Allen.
The Gospel of Nachash • Marie Brennan
Tomorrow Is Saint Valentine's Day • Tori Truslow
Crow Voodoo • Georgina Bruce
Your Name Is Eve • Michael M. Jones
Hell Friend • Gemma Files
Braiding the Ghosts • C.S.E. Cooney
Surrogates • Cat Rambo
Lucyna's Gaze • Gregory Frost
Eyes of Carven Emerald • Shweta Narayan
Dragons of America • S.J. Hirons
Where Shadows Go at Low Midnight • John Grant
Lineage • Kenneth Schneyer
Murder in Metachronopolis • John C. Wright
To Seek Her Fortune • Nicole Kornher-Stace
Fold • Tanith Lee
Allen’s third volume of extraordinary short stories reaches new heights of rarity and wonder. Marie Brennan sets the bar high with “The Gospel of Nachash,” a fine reinterpretation of the Adam and Eve legend from a fresh perspective. Tori Truslow’s scholarly “Tomorrow Is Saint Valentine’s Day” tells the story of the Great Ice Train and its encounter with the merfolk on the Moon. Gemma Files’s “Hell Friend” and C.S.E. Cooney’s “Braiding the Ghosts” are sinister, spine-tingling ghost stories. Cat Rambo deals with realism and escapism in her futuristic “Surrogates,” where appearances and reality are mutable. Shweta Narayan’s “Eyes of Carven Emerald” eloquently rewrites the history of Alexander the Great to include mechanical entities. Without a wrong note, all the stories in this anthology admirably fulfill Allen’s promise of “beauty and strangeness.”
— Publishers Weekly, Starred Review
With a balance of new names and established authors, the third Clockwork Phoenix installment collects some magnificent interpretations of fantastic ideas. “The Gospel of Nachash” opens, Marie Brennan’s haunting tale of the beginning of time, and a very interesting reinterpretation of a gospel it is, too. Tanith Lee’s “Fold” is a story of a man who wrote love letters to the people he saw passing beneath his window, and only left his apartment once. Gemma Files’ “Hell Friend” is really a heart-warming ghost story; Georgina Bruce’s “Crow Voodoo” is an unnerving take on something common to fairy tales; and Gregory Frost’s “Lucyna’s Gaze” starts off sweet, and grows more awful with every revealed detail. Clockwork Phoenix delivers on its promise of both beauty and strangeness, and adds in some fright and a few new ways of looking at old tropes. All in all, it’s a very successful collection of thematically similar, but wildly varied in subject, works.
CLOCKWORK PHOENIX is a series of anthologies from Norilana Books, edited by Mike Allen, that bears the subtitle “New Tales of Beauty and Strangeness”. This seems a quite appropriate subtitle — the stories really do seem attempts at evoking both beauty and the strange. This makes them consistently interesting . . . There is a mixture of wild science fiction (as with John C. Wright’s “Murder in Metachronopolis”, a convoluted time travel mystery) with what seems best called slipstream (say, Tanith Lee’s curious “Fold”, about a man who sends people paper airplane love letters) with out and out fantasy. One of the latter is my favorite here: C. S. E. Cooney’s “Braiding the Ghosts”, in which a girl goes to her grandmother after her mother’s death, and learns from the older woman the secret of “braiding” ghosts — which is to say enslaving them. So ghosts are the servants of the older woman. But the girl is not so happy with this . . . especially when she falls for the ghost she is forced to braid. And the ghosts — are they happy? Read the story and find out . . . lovely stuff.
For the past three years editor Mike Allen has been publishing his unique CLOCKWORK PHOENIX anthologies, inviting authors like Tanith Lee and Catherynne M. Valente to give us their take on the concepts of, as the title has it, “beauty and strangeness.” The result has been a critical and artistic success and, if volume three is any indication, the spell won’t be lifting any time soon. Allen continues to assemble some of the most adventurous, beauteous, and just plain weird stuff our current crop of speculative authors are capable of producing. Adventurous minds are invited to attend.
— Strange Horizons
Mike Allen edits the critically-acclaimed anthology series Clockwork Phoenix and the long-running magazine Mythic Delirium. His books include post-apocalyptic dark fantasy novel The Black Fire Concerto and career-spanning poetry collection Hungry Constellations. To learn about upcoming book releases and projects, sign up for his newsletter at http://tinyurl.com/abattoir-
Publishers Weekly and Library Journal gave starred reviews to his first collection of short fiction, Unseaming. Laird Barron wrote in the book's introduction that the stories in Unseaming "rival anything committed to paper by the likes of contemporary masters such as Clive Barker, Ramsey Campbell, or Caitlín Kiernan." Helen Marshall called Mike's second collection, The Spider Tapestries, "a must-read for fans of weird fiction and dark fantasy."
More of Mike's stories have popped up in places like Weird Tales, Beneath Ceaseless Skies, and the anthologies Cthulhu's Reign, Solaris Rising 2, A Darke Phantastique and Tomorrow's Cthulhu. His poetry has won the Rhysling Award three times, and his fiction has been nominated for the Nebula Award and the Shirley Jackson Award.
By day he works as the arts and culture columnist for the daily newspaper in Roanoke, Va., where he lives with his wife Anita, a goofy dog, and two cats with varying degrees of psychosis. You can follow Mike's exploits as a writer at descentintolight.com, as an editor at mythicdelirium.com, and all at once on Twitter at @mythicdelirium.