The royal exile; or, Poetical epistles of Mary, queen of Scots, during her captivity in England: with other original poems. By a young lady [M. Roberts]. Also, by her father [S. Roberts], The life of queen Mary: Volume 2

Longman
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Publisher
Longman
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Published on
Dec 31, 1822
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Pages
282
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English
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Until now, the notion of a cross-cultural dialogue has not figured in the analysis of harem paintings, largely because the Western fantasy of the harem has been seen as the archetype for Western appropriation of the Orient. In Intimate Outsiders, the art historian Mary Roberts brings to light a body of harem imagery that was created through a dynamic process of cultural exchange. Roberts focuses on images produced by nineteenth-century European artists and writers who were granted access to harems in the urban centers of Istanbul and Cairo. As invited guests, these Europeans were “intimate outsiders” within the women’s quarters of elite Ottoman households. At the same time, elite Ottoman women were offered intimate access to European culture through their contact with these foreign travelers.

Roberts draws on a range of sources, including paintings, photographs, and travelogues discovered in archives in Britain, Turkey, Egypt, and Denmark. She rethinks the influential harem works of the realist painter John Frederick Lewis, a British artist living in Cairo during the 1840s, whose works were granted an authoritative status by his British public despite the actual limits of his insider knowledge. Unlike Lewis, British women were able to visit Ottoman harems, and from the mid-nineteenth century on they did so in droves. Writing about their experiences in published travelogues, they undermined the idea that harems were the subject only of male fantasies. The elite Ottoman women who orchestrated these visits often challenged their guests’ misapprehensions about harem life, and a number of them exercised power as patrons, commissioning portraits from European artists. Their roles as art patrons defy the Western idea of the harem woman as passive odalisque.

The first novel by Mary Roberts Rinehart, America’s queen of crime

This is the story of how a middle-aged spinster lost her mind, deserted her domestic gods in the city, took a furnished house for the summer out of town, and found herself involved in one of those mysterious crimes that keep our newspapers and detective agencies happy and prosperous.

So says Rachel Innes, the spinster in question and one of the most remarkable heroines in American crime fiction. With the irresistible encouragement of her niece Gertrude and nephew Halsey, whom she raised after her brother’s death, Rachel ignores her better judgment and rents Sunnyside, a sprawling Elizabethan mansion owned by a bank president, for the summer.

The first night passes peacefully. In the morning, the entire staff quits. Late the third night, a sinister figure lurks outside the patio window and Rachel hears a heavy crash on the circular staircase at the east end of the house. The fourth night brings a dead body.

From there, things only get worse. The dead man turns out to be Arnold Armstrong, ne’er-do-well son of the owner of Sunnyside. Aunt Rachel has never seen him before, but Gertrude and Halsey knew him all too well. When the investigating detective directs his attention to her niece and nephew, Aunt Rachel decides to solve the murder herself—and walks straight into a web of deceit and treachery so intricate she might never find her way out.

This ebook features a new introduction by Otto Penzler and has been professionally proofread to ensure accuracy and readability on all devices.
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