Campaigning for Napoleon: The Diary of a Napoleonic Cavalry Officer (1806 -1813)

Pen and Sword
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In 1806 an enthusiastic young Frenchman Maurice de Tascher embarked on a career as a soldier in Napoleon's Grand Armée. He was inspired by the emperor's triumphs and determined to win glory and serve his country. In 1813, disillusioned by war and doubtful about the honor of the French cause, de Tascher died in Berlin, a victim of Napoleon's disastrous war against Russia. This is his story.
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About the author

Maurice de Tascher was a soldier in Napoleon's Grand Armée.
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Additional Information

Publisher
Pen and Sword
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Published on
Mar 28, 2007
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Pages
224
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ISBN
9781781597392
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Language
English
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Genres
History / Modern / 19th Century
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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Popular and scholarly history presents a one-dimensional image of Napoleon as an inveterate instigator of war who repeatedly sought large-scale military conquests. General Franceschi and Ben Weider dismantle this false conclusion in The Wars Against Napoleon, a brilliantly written and researched study that turns our understanding of the French emperor on its head. Avoiding the simplistic clichés and rudimentary caricatures many historians use when discussing Napoleon, Franceschi and Weider argue persuasively that the caricature of the megalomaniac conqueror who bled Europe white to satisfy his delirious ambitions and insatiable love for war is groundless. By carefully scrutinizing the facts of the period and scrupulously avoiding the sometimes confusing cause and effect of major historical events, they paint a compelling portrait of a fundamentally pacifist Napoleon, one completely at odds with modern scholarly thought. This rigorous intellectual presentation is based upon three principal themes. The first explains how an unavoidable belligerent situation existed after the French Revolution of 1789. The new France inherited by Napoleon was faced with the implacable hatred of reactionary European monarchies determined to restore the ancient regime. All-out war was therefore inevitable unless France renounced the modern world to which it had just painfully given birth. The second theme emphasizes Napoleon’s determined efforts (“bordering on an obsession,” argue the authors) to avoid this inevitable conflict. The political strategy of the Consulate and the Empire was based on the intangible principle of preventing or avoiding these wars, not on conquering territory. Finally, the authors examine, conflict by conflict, the evidence that Napoleon never declared war. As he later explained at Saint Helena, it was he who was always attacked—not the other way around. His adversaries pressured and even forced the Emperor to employ his unequalled military genius. After each of his memorable victories Napoleon offered concessions, often extravagant ones, to the defeated enemy for the sole purpose of avoiding another war. Lavishly illustrated, persuasively argued, and carefully illustrated with original maps and battle diagrams, The Wars Against Napoleon presents a courageous and uniquely accurate historical idea that will surely arouse vigorous debate within the international historical community.
True, first-hand accounts of combat and soldiering from the men who fought for Napoleon Bonparte and the First French Empire: “Fascinating stuff” (Stuart Asquith, author of Military Modelling).
 
The French side of the Napoleonic Wars is often presented from a strategic point of view, or in terms of military organization and battlefield tactics, or through officers’ memoirs. Fighting for Napoleon:French Soldiers’ Letters, 1799–1815, based on more than sixteen hundred letters written by French soldiers of the Napoleonic armies, shares the perspectives and experiences of the lowest, ordinary ranks of the army who fought on the frontlines.
 
Authors Bernard Wilkin and René Wilkin provide an informative read of common soldiers’ lives for military and cultural historians as well as a fascinating counterpoint to the memoirs of Cpt. Jean-Roch Coignet, Col. Marcellin de Marbot, or Sgt. Adrien Bourgogne.
 
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Winner, 2018 PEN/E.O. Wilson Prize for Literary Science Writing
Short-listed for the 2018 Wellcome Book Prize
A Top 10 Science Book of Fall 2017, Publishers Weekly
A Best History Book of 2017, The Guardian

"Warning: She spares no detail!" —Erik Larson, bestselling author of Dead Wake

In The Butchering Art, the historian Lindsey Fitzharris reveals the shocking world of nineteenth-century surgery and shows how it was transformed by advances made in germ theory and antiseptics between 1860 and 1875. She conjures up early operating theaters—no place for the squeamish—and surgeons, who, working before anesthesia, were lauded for their speed and brute strength. These pioneers knew that the aftermath of surgery was often more dangerous than patients’ afflictions, and they were baffled by the persistent infections that kept mortality rates stubbornly high. At a time when surgery couldn’t have been more hazardous, an unlikely figure stepped forward: a young, melancholy Quaker surgeon named Joseph Lister, who would solve the riddle and change the course of history.

Fitzharris dramatically reconstructs Lister’s career path to his audacious claim that germs were the source of all infection and could be countered by a sterilizing agent applied to wounds. She introduces us to Lister’s contemporaries—some of them brilliant, some outright criminal—and leads us through the grimy schools and squalid hospitals where they learned their art, the dead houses where they studied, and the cemeteries they ransacked for cadavers.

Eerie and illuminating, The Butchering Art celebrates the triumph of a visionary surgeon whose quest to unite science and medicine delivered us into the modern world.

A masterpiece of historical adventure, Skeletons on the Zahara chronicles the true story of twelve American sailors who were shipwrecked off the coast of Africa in 1815, captured by desert nomads, sold into slavery, and subjected to a hellish two-month journey through the perilous heart of the Sahara.
The western Sahara is a baking hot and desolate place, home only to nomads and their camels, and to locusts, snails and thorny scrub--and its barren and ever-changing coastline has baffled sailors for centuries. In August 1815, the US brig Commerce was dashed against Cape Bojador and lost, although through bravery and quick thinking the ship's captain, James Riley, managed to lead all of his crew to safety. What followed was an extraordinary and desperate battle for survival in the face of human hostility, starvation, dehydration, death and despair.
Captured, robbed and enslaved, the sailors were dragged and driven through the desert by their new owners, who neither spoke their language nor cared for their plight. Reduced to drinking urine, flayed by the sun, crippled by walking miles across burning stones and sand and losing over half of their body weights, the sailors struggled to hold onto both their humanity and their sanity. To reach safety, they would have to overcome not only the desert but also the greed and anger of those who would keep them in captivity.
From the cold waters of the Atlantic to the searing Saharan sands, from the heart of the desert to the heart of man, Skeletons on the Zahara is a spectacular odyssey through the extremes and a gripping account of courage, brotherhood, and survival.
Lancaster and York. For much of the fifteenth century, these two families were locked in battle for control of the British monarchy. Kings were murdered and deposed. Armies marched on London. Old noble names were ruined while rising dynasties seized power and lands. The war between the royal House of Lancaster and York, the longest and most complex in British history, profoundly altered the course of the monarchy. In The Wars of the Roses, Alison Weir reconstructs this conflict with the same dramatic flair and impeccable research that she brought to her highly praised The Princes in the Tower.

The first battle erupted in 1455, but the roots of the conflict reached back to the dawn of the fifteenth century, when the corrupt, hedonistic Richard II was sadistically murdered, and Henry IV, the first Lancastrian king, seized England's throne. Both Henry IV and his son, the cold warrior Henry V, ruled England ably, if not always wisely--but Henry VI proved a disaster, both for his dynasty and his kingdom. Only nine months old when his father's sudden death made him king, Henry VI became a tormented and pathetic figure, weak, sexually inept, and prey to fits of insanity. The factional fighting that plagued his reign escalated into bloody war when Richard Plantagenet, Duke of York, laid claim to the throne that was rightfully his--and backed up his claim with armed might.

Alison Weir brings brilliantly to life both the war itself and the historic figures who fought it on the great stage of England. Here are the queens who changed history through their actions--the chic, unconventional Katherine of Valois, Henry V's queen; the ruthless, social-climbing Elizabeth Wydville; and, most crucially, Margaret of Anjou, a far tougher and more powerful character than her husband,, Henry VI, and a central figure in the Wars of the Roses.

Here, too, are the nobles who carried the conflict down through the generations--the Beauforts, the bastard descendants of John of Gaunt, Richard Neville, Earl of Warwick, known to his contemporaries as "the Kingmaker"; and the Yorkist King, Edward IV, a ruthless charmer who pledged his life to cause the downfall of the House of Lancaster.

The Wars of the Roses is history at its very best--swift and compelling, rich in character, pageantry, and drama, and vivid in its re-creation of an astonishing, dangerous, and often grim period of history. Alison Weir, one of the foremost authorities on the British royal family, demonstrates here that she is also one of the most dazzling stylists writing history today.
The #1 bestseller that tells the remarkable story of the generations of American artists, writers, and doctors who traveled to Paris, the intellectual, scientific, and artistic capital of the western world, fell in love with the city and its people, and changed America through what they learned, told by America’s master historian, David McCullough.

Not all pioneers went west.

In The Greater Journey, David McCullough tells the enthralling, inspiring—and until now, untold—story of the adventurous American artists, writers, doctors, politicians, and others who set off for Paris in the years between 1830 and 1900, hungry to learn and to excel in their work. What they achieved would profoundly alter American history.

Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, whose encounters with black students at the Sorbonne inspired him to become the most powerful voice for abolition in the US Senate. Friends James Fenimore Cooper and Samuel F. B. Morse worked unrelentingly every day in Paris, Morse not only painting what would be his masterpiece, but also bringing home his momentous idea for the telegraph. Harriet Beecher Stowe traveled to Paris to escape the controversy generated by her book, Uncle Tom’s Cabin. Three of the greatest American artists ever—sculptor Augustus Saint-Gaudens, painters Mary Cassatt and John Singer Sargent—flourished in Paris, inspired by French masters.

Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris, and the nightmare of the Commune. His vivid diary account of the starvation and suffering endured by the people of Paris is published here for the first time.

Telling their stories with power and intimacy, McCullough brings us into the lives of remarkable men and women who, in Saint-Gaudens’ phrase, longed “to soar into the blue.
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