An on-the-ground history of ordinary Americans who took to the streets when political issues became personal
The 1960s are widely seen as the high tide of political activism in the United States. According to this view, Americans retreated to the private realm after the tumult of the civil rights and antiwar movements, and on the rare occasions when they did take action, it was mainly to express their wish to be left alone by government—as recommended by Ronald Reagan and the ascendant New Right.
In fact, as Michael Stewart Foley shows in Front Porch Politics, this understanding of post-1960s politics needs drastic revision. On the community level, the 1970s and 1980s witnessed an unprecedented upsurge of innovative and impassioned grass roots political activity. In Southern California and on the Lower East Side of Manhattan, tenants challenged landlords with sit-ins and referenda; in the upper Midwest, farmers vandalized power lines and mobilized tractors to protect their land; and in the deindustrializing cities of the Rust Belt, laid-off workers boldly claimed the right to own their idled factories. Meanwhile, activists fought to defend the traditional family or to expand the rights of women, while entire towns organized to protest the toxic sludge in their basements. Recalling Love Canal, the tax revolt in California, ACT UP, and other crusades famous or forgotten, Foley shows how Americans were propelled by personal experiences and emotions into the public sphere. Disregarding conventional ideas of left and right, they turned to political action when they perceived, from their actual or figurative front porches, an immediate threat to their families, homes, or dreams.
Front Porch Politics is a vivid and authoritative people's history of a time when Americans followed their outrage into the streets. Addressing today's readers, it is also a field guide for effective activism in an era when mass movements may seem impractical or even passé. The distinctively visceral, local, and highly personal politics that Americans practiced in the 1970s and 1980s provide a model of citizenship participation worth emulating if we are to renew our democracy.
"Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books
"Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books
"While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company
"Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore
"The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore
"Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books