An on-the-ground history of ordinary Americans who took to the streets when political issues became personal
The 1960s are widely seen as the high tide of political activism in the United States. According to this view, Americans retreated to the private realm after the tumult of the civil rights and antiwar movements, and on the rare occasions when they did take action, it was mainly to express their wish to be left alone by government—as recommended by Ronald Reagan and the ascendant New Right.
In fact, as Michael Stewart Foley shows in Front Porch Politics, this understanding of post-1960s politics needs drastic revision. On the community level, the 1970s and 1980s witnessed an unprecedented upsurge of innovative and impassioned grass roots political activity. In Southern California and on the Lower East Side of Manhattan, tenants challenged landlords with sit-ins and referenda; in the upper Midwest, farmers vandalized power lines and mobilized tractors to protect their land; and in the deindustrializing cities of the Rust Belt, laid-off workers boldly claimed the right to own their idled factories. Meanwhile, activists fought to defend the traditional family or to expand the rights of women, while entire towns organized to protest the toxic sludge in their basements. Recalling Love Canal, the tax revolt in California, ACT UP, and other crusades famous or forgotten, Foley shows how Americans were propelled by personal experiences and emotions into the public sphere. Disregarding conventional ideas of left and right, they turned to political action when they perceived, from their actual or figurative front porches, an immediate threat to their families, homes, or dreams.
Front Porch Politics is a vivid and authoritative people's history of a time when Americans followed their outrage into the streets. Addressing today's readers, it is also a field guide for effective activism in an era when mass movements may seem impractical or even passé. The distinctively visceral, local, and highly personal politics that Americans practiced in the 1970s and 1980s provide a model of citizenship participation worth emulating if we are to renew our democracy.
Their feudal model emphasizes five elements: the weakness of the state and its inability to protect its territory, guarantee the security of its citizens, and enforce laws; conflicts and collusions between and within organizations that involve corruption and other forms of illegal or semilegal actions; the dominance of personal relations in political and economic life; the prevalence of an elitist ideology; and the use of private agents and organizations for the provision of safety and security. Feudal America urges readers to suspend their forward-thinking and futurist orientations, question linear notions of social and historical progression, and look for explanations of contemporary social problems in medieval European history.
A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.
Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.