Miguel de Cervantes
"Though there have been many valuable English translations of Don Quixote, I would commend Edith Grossman's version for the extraordinarily high quality of her prose. The Knight and Sancho are so eloquently rendered by Grossman that the vitality of their characterization is more clearly conveyed than ever before. There is also an astonishing contextualization of Don Quixote and Sancho in Grossman's translation that I believe has not been achieved before. The spiritual atmosphere of a Spain already in steep decline can be felt throughout, thanks to her heightened quality of diction.
Grossman might be called the Glenn Gould of translators, because she, too, articulates every note. Reading her amazing mode of finding equivalents in English for Cervantes's darkening vision is an entrance into a further understanding of why this great book contains within itself all the novels that have followed in its sublime wake."
From the Introduction by Harold Bloom
Miguel de Cervantes was born on September 29, 1547, in Alcala de Henares, Spain. At twenty-three he enlisted in the Spanish militia and in 1571 fought against the Turks in the battle of Lepanto, where a gunshot wound permanently crippled his left hand. He spent four more years at sea and then another five as a slave after being captured by Barbary pirates. Ransomed by his family, he returned to Madrid but his disability hampered him; it was in debtor's prison that he began to write Don Quixote. Cervantes wrote many other works, including poems and plays, but he remains best known as the author of Don Quixote. He died on April 23, 1616.
New to this edition of Celia Richmond Weller and Clark A. Colahan's critically acclaimed translation are an updated Introduction and bibliography reflecting recent directions in scholarship on the Persiles, as well as reproductions of woodcuts from a work believed to have served Cervantes as a key anthropological source.
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In a new translation that “comes closest, among the modern translations, to the simple, intimate, direct style that characterizes Cervantes’ narrative,”* Don Quixote is a novel that is both immortal satire of an outdated chivalric code and a biting portrayal of an age in which nobility was a form of madness.
*John J. Allen, Professor Emeritus of Spanish, University of Kentucky and Past President of the Cervantes Society of America