The Statutes at Large of the State of Minnesota: Volume 1

Callaghan and Company
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Publisher
Callaghan and Company
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Published on
Dec 31, 1873
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Pages
1375
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Best For
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Language
English
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This content is DRM free.
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A highly acclaimed novelist now gives us a true epic: a love story that spans sixty years, generations’ worth of feuds, and secrets withheld and revealed.

The two principal stories at play in Wintering are bound together when the elderly, demented Harry Eide escapes his sickbed and vanishes into the forbidding, northernmost wilderness that surrounds the town of Gunflint, Minnesota—instantly changing the Eide family, and many other lives, forever. He’d done this once before, more than thirty years earlier in 1963, fleeing a crumbling marriage and bringing along Gustav, his eighteen-year-old son, pitching this audacious, potentially fatal scheme—winter already coming on, in these woods, on these waters—as a reenactment of the ancient voyageurs’ journeys of discovery.

It’s certainly something Gus has never forgotten, nor the Devil’s Maw of a river, a variety of beloved (possibly fantastical) maps, the ice floes and waterfalls (neither especially appealing from a canoe), a magnificent bear, the endless portages, a magical abandoned shack, Thanksgiving and Christmas improvised at the far end of the earth, the brutal cold and sheer beauty of it all. And men hunting other men.

Now—with his father pronounced dead—Gus relates their adventure in vivid detail to Berit Lovig, who’d spent much of her life waiting for Harry, her passionate conviction finally fulfilled over the last two decades. So, a middle-aged man rectifying his personal history, an aging lady wrestling with her own, and with the entire saga of a town and region they’d helped to form and were in turn formed by, relentlessly and unforgettably.


From the Hardcover edition.
From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America

In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes.

Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine.

Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.

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