No One Belongs Here More Than You: Stories

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“These delightful stories do that essential-but-rare story thing: they surprise. They skip past the quotidian, the merely real, to the essential, and do so with a spirit of tenderness and wonder that is wholly unique. They are (let me coin a phrase) July-esque, which is to say: infused with wonder at the things of the world.” —George Saunders, author of Tenth of December

Award-winning filmmaker and performing artist Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection. In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly—they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.
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About the author

Miranda July is a filmmaker, writer, and artist. Her stories have appeared in The New Yorker, The Paris Review, and Harper’s. The story collection No One Belongs Here More Than You won the Frank O’Connor International Short Story Award and has been published in twenty-three countries. She wrote, directed, and starred in The Future. Her film, Me and You and Everyone We Know, received a special jury prize at the Sundance Film Festival and the Caméra d’Or at Cannes. In 2014 she debuted the audience-participatory performance, New Society, at the Walker Art Center, and launched the messaging service app, Somebody.

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Reviews

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Additional Information

Publisher
Simon and Schuster
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Published on
May 15, 2007
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Pages
224
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ISBN
9781416539674
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Features
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Language
English
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Genres
Fiction / General
Fiction / Literary
Fiction / Short Stories (single author)
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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Roxane Gay
“Once you start this book, you will not be able to put it down. An Untamed State is a novel of hope intermingled with fear, a book about possibilities mixed with horror and despair. It is written at a pace that will match your racing heart, and while you find yourself shocked, amazed, devastated, you also dare to hope for the best, for all involved.”—Edwidge Danticat, author of Breath, Eyes, Memory and The Dew Breaker

Roxane Gay is a powerful new literary voice whose short stories and essays have already earned her an enthusiastic audience. In An Untamed State, she delivers an assured debut about a woman kidnapped for ransom, her captivity as her father refuses to pay and her husband fights for her release over thirteen days, and her struggle to come to terms with the ordeal in its aftermath.

Mireille Duval Jameson is living a fairy tale. The strong-willed youngest daughter of one of Haiti’s richest sons, she has an adoring husband, a precocious infant son, by all appearances a perfect life. The fairy tale ends one day when Mireille is kidnapped in broad daylight by a gang of heavily armed men, in front of her father’s Port au Prince estate. Held captive by a man who calls himself The Commander, Mireille waits for her father to pay her ransom. As it becomes clear her father intends to resist the kidnappers, Mireille must endure the torments of a man who resents everything she represents.

An Untamed State is a novel of privilege in the face of crushing poverty, and of the lawless anger that corrupt governments produce. It is the story of a willful woman attempting to find her way back to the person she once was, and of how redemption is found in the most unexpected of places. An Untamed State establishes Roxane Gay as a writer of prodigious, arresting talent.

“From the astonishing first line to the final scene, An Untamed State is magical and dangerous. I could not put it down. Pay attention to Roxane Gay; she's here to stay.”—Tayari Jones, author of Silver Sparrow and Leaving Atlanta

“[Haiti’s] better scribes, among them Edwidge Danticat, Franketienne, Madison Smartt Bell, Lyonel Trouillot, and Marie Vieux Chavet, have produced some of the best literature in the world. . . . Add to their ranks Roxane Gay, a bright and shining star.”—Kyle Minor, author of In the Devil’s Territory, on Ayiti
George Saunders
NATIONAL BOOK AWARD FINALIST • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
People • The New York Times Magazine • NPR • Entertainment Weekly • New York • The Telegraph • BuzzFeed • Kirkus Reviews • BookPage • Shelf Awareness

One of the most important and blazingly original writers of his generation, George Saunders is an undisputed master of the short story, and Tenth of December is his most honest, accessible, and moving collection yet.
 
In the taut opener, “Victory Lap,” a boy witnesses the attempted abduction of the girl next door and is faced with a harrowing choice: Does he ignore what he sees, or override years of smothering advice from his parents and act? In “Home,” a combat-damaged soldier moves back in with his mother and struggles to reconcile the world he left with the one to which he has returned. And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antiques store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders’s signature blend of exuberant prose, deep humanity, and stylistic innovation.
 
Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.
 
Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov’s dictum that art should “prepare us for tenderness.”

NEW YORK TIMES BESTSELLER

“The best book you’ll read this year.”—The New York Times Magazine
 
“A feat of inventiveness . . . This eclectic collection never ceases to delight with its at times absurd, surreal, and darkly humorous look at very serious subjects. . . . Saunders makes you feel as though you are reading fiction for the first time.”—Khaled Hosseini, author of The Kite Runner
 
“The best short-story writer in English—not ‘one of,’ not ‘arguably,’ but the Best.”—Mary Karr, Time
 
“A visceral and moving act of storytelling . . . No one writes more powerfully than George Saunders about the lost, the unlucky, the disenfranchised.”—Michiko Kakutani, The New York Times
 
“Saunders’s startling, dreamlike stories leave you feeling newly awakened to the world.”—People
 
“It’s no exaggeration to say that short story master George Saunders helped change the trajectory of American fiction.”—The Wall Street Journal
 
GEORGE SAUNDERS WAS NAMED ONE OF THE 100 MOST INFLUENTIAL PEOPLE IN THE WORLD BY TIME MAGAZINE


From the Hardcover edition.
Miranda July
Los dieciséis relatos que dieron a conocer a Miranda July, el icono indie americano.

Una mujer da rienda suelta a sus fantasías tras dormirse en el hombro de su vecino mientras él sufre un ataque de epilepsia. Una joven encuentra sentido a su vida dando clases de natación a tres ancianos en la cocina de su casa, sin más agua que la que cabe en una palangana. Una chica desesperadamente enamorada de su mejor amiga hace más llevadero el rechazo desnudándose ante extraños. Dos completas desconocidas se funden en un llanto compartido durante un cursillo para aprender a ser más románticas.

Los solitarios protagonistas de estos dieciséis relatos intentan conectar con los demás del modo más extraño. Con una ironía agridulce y un erotismo punzante, Miranda July convierte las situaciones más bizarras en escenas de una humanidad reveladora.

Este conjunto de historias supuso el debut de una autora que sorprendió con un universo literario rompedor, de una artista que ignora la realidad y flirtea con el surrealismo para centrarse en lo esencial. En sus manos, toda lógica explosiona y el lenguaje se convierte en la mejor herramienta para reconfigurar el mundo. Directos y sin complejos, estos relatos ofrecen comprensión y demuestran que nunca es tarde para elaborar una nueva teoría sobre quiénes somos, ponerle música y bailar como si no hubiera mañana.

Críticas:
«Cautivador, bellamente escrito, para reír a carcajadas.»
Dave Eggers

«Las ingeniosas historias de July pasan de la diversión más disparatada a la tristeza más desgarradora. Están plagadas de observaciones irónicas y verdades caseras sobre la vida moderna.»
The Daily Telegraph

«Miranda July es una docente del lenguaje, una #Maga# (en el sentido cortazariano del término) de la literatura cuyos personajes narrativos evocan a aquellos que Diane Arbus capturó con el objetivo de su cámara.»
Inés Martín Rodrigo,ABC

«Sus personajes, dotados de una suave excentricidad, son frágiles y entrañables [...]. MirandaJuly tiene una gran habilidad para llevar al lector hacia su mundo marginal e insólito para así poder contar mejor lo esencial.»
Le Figaro

Miranda July
Un debut novelístico deslumbrante que te desconcertará, por una de las voces más originales del panorama actual, un icono del indie americano: Miranda July.

La vida de Cheryl Glickman está sometida a las fantasías y creencias más dispares, así como a un excéntrico sistema de reglas y rituales. Cree fervientemente en historias de amor que traspasan los siglos y tiene una estrecha relación con el alma de un recién nacido al que conoció siendo niña y que transmigra, desde entonces, del cuerpo de un bebé a otro. A sus cuarenta y poco años vive sola, y desde hace tiempo trabaja en una organización sin ánimo de lucro que realiza unos peculiares vídeos de autodefensa femenina.

El día que se ve obligada a acoger temporalmente en su piso a Clee, la hija veinteañera de sus jefes, su rutina e intimidad sufren un inesperado descalabro. Clee es distante, altiva, desdeñosa y mantiene una escasa higiene personal, además de estar enganchada al móvil y sumida siempre en una preocupante inactividad frente al televisor. Inevitablemente, Cheryl se ve arrastrada a un peligroso juego de intimidación pero, a su vez y de forma inesperada, acaba descubriendo el amor de toda una vida.

Imbuida de las fantasías sexuales más impetuosas y de la intensidad del amor maternal, esta primera novela de Miranda July rezuma ternura y un perspicaz sentido del humor, y confirma a esta multifacética artista como una de las voces más originales del panorama cultural actual.

La crítica ha dicho...
«La habilidad de Miranda July para pervertir las normas sin dejar de lado lo que nos hace normales es sorprendente. Te hará reír, encogerte y reconocerte en una mujer que nunca planeaste ser. Jamás una novela me ha hablado de manera tan profunda acerca de mi sexualidad, mi espiritualidad y mi intimidad.»
Lena Dunham

«Un gran y conmovedor retrato de la maternidad y lo que significa cuidar a un niño.»
Michino Kakutani, The New York Times

«Buenísima, desternillante, irreverente, mordaz.»
O, The Oprah Magazine

«De repente este extraño libro se convierte en algo vital.»
Elle

«Algunos artistas desean convertir el mundo en un lugar donde ellos puedan sentirse más cómodos, y cambiar a la gente y sus dinámicas para lograr ese fin. Miranda July es una de esas artistas.»
Sheila Heti

«Una historia profundamente íntima que arranca en la sordidez de la soledad y que poco a poco se irá convirtiendo en un profundo y conmovedor relato de amor y compromiso fuera de lo común.»
Dave Eggers

«Un libro quye se tiene que leer y que se tiene que comprar por duplicado.»
A.M. Homes

Miranda July
Cheryl Glickman tror på romancer, der strækker sig over flere liv, og sjælevandringer mellem spædbørn. Hun bor alene og arbejder i en nonprofitorganisation, hvor de underviser kvinder i selvforsvar. Da det bliver klart, at det nu er Cheryls tur til at huse chefens tyveårige datter Clee, sprænges hendes møjsommeligt organiserede verden i tusind stykker. Men alligevel bliver det mutte, utilpassede Clee, der hjælper Cheryl af med den globus hystericus, hun har siddende i halsen. Den første onde mand er underspillet komedie og inderlig kærlighedsfortælling, fuld af intense seksuelle fantasier og altomsluttende moderkærlighed. Miranda Julys første roman understreger hendes position som spektakulært original, ikonisk og afgørende stemme i moderne amerikansk kultur. Miranda July er filminstruktør, skuespiller, forfatter og kunstner. Hun skrev, instruerede og spillede hovedrollen i filmen You, Me And Everyone We Know, som blev præmieret med juryens særlige pris ved Sundance Film Festival og Camera d'Or i Cannes. Julys noveller er blevet bragt i The New Yorker, Paris Review og Harper's. Novellesamlingen No One Belongs Here More Than You er udkommet i 23 lande. "Miranda July får dig til at le, græmmes og genkende dig selv i den kvinde, du aldrig planlagde at være. Og når July går om bord i moderskabet, er bogen allerede blevet en bibel. Aldrig før har nogen anden roman talt så inderligt til min seksualitet, spiritualitet, mit hemmelige jeg. Jeg ved nu, at jeg ikke er alene." - Lena Dunham, manuskriptforfatter, instruktør og hovedrolleindehaver i HBO's TV-seriehit GIRLS og forfatteren bag NOT THAT KIND OF GIRL "Med Den første onde mand er man i bittersødt, klogt selskab. Den er varm, den har hjerte, en puls. Denne bog er i live, så det smerter." - New York Times Book Review "En fantastisk bevægende skildring af moderskab og hvad det vil sige at drage omsorg for et barn." - Michiko Kakutani, New York Times
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