No One Belongs Here More Than You: Stories

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“These delightful stories do that essential-but-rare story thing: they surprise. They skip past the quotidian, the merely real, to the essential, and do so with a spirit of tenderness and wonder that is wholly unique. They are (let me coin a phrase) July-esque, which is to say: infused with wonder at the things of the world.” —George Saunders, author of Tenth of December

Award-winning filmmaker and performing artist Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection. In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly—they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.
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About the author

Miranda July is a filmmaker, artist, and writer. Her most recent book is The First Bad Man, a novel. July’s collection of stories, No One Belongs Here More Than You, won the Frank O’Connor International Short Story Award and has been published in twenty-three countries. Her writing has appeared in The Paris Review, Harper’s, and The New Yorker; It Chooses You was her first book of nonfiction. She wrote, directed and starred in The Future and Me and You and Everyone We Know—winner of the Camera d’Or at the Cannes Film Festival and a Special Jury Prize at Sundance. July’s participatory art works include the website Learning to Love You More (with artist Harrell Fletcher), Eleven Heavy Things (a sculpture garden created for the Venice Biennale), New Society (a performance), and Somebody (a messaging app created with Miu Miu.) She is currently working on a new feature film. Raised in Berkeley, California, July lives in Los Angeles.

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Additional Information

Publisher
Simon and Schuster
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Published on
May 15, 2007
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Pages
224
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ISBN
9781416539674
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Language
English
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Genres
Fiction / Literary
Fiction / Short Stories (single author)
Fiction / Women
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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NOTABLE BOOK OF THE YEAR: New York Times, Washington PostTOP TEN BOOKS OF THE YEAR: Los Angeles Times, Christian Science Monitor
BEST BOOK OF THE YEAR: Wall Street Journal, NPR, Kirkus, Fresh Air (Maureen Corrigan), San Francisco Chronicle
TOP TITLES FOR GIFT GIVING: Chicago Tribune
Longlisted for the 2015 National Book Award -- and a nationwide bestseller.

Over the past several decades, Edith Pearlman has staked her claim as one of the all-time great practitioners of the short story. Her incomparable vision, consummate skill, and bighearted spirit have earned her consistent comparisons to Anton Chekhov, John Updike, Alice Munro, Grace Paley, and Frank O'Connor. Her latest work, gathered in this stunning collection of twenty new stories, is an occasion for celebration.

Pearlman writes with warmth about the predicaments of being human. The title story involves an affair, an illegitimate pregnancy, anorexia, and adolescent drug use, but the true excitement comes from the evocation of the interior lives of young Emily Knapp, who wishes she were a bug, and her inner circle. "The Golden Swan" transports the reader to a cruise ship with lavish buffets-and a surprise stowaway-while the lead story, "Tenderfoot," follows a widowed pedicurist searching for love with a new customer anguishing over his own buried trauma. Whether the characters we encounter are a special child with pentachromatic vision, a group of displaced Somali women adjusting to life in suburban Boston, or a staid professor of Latin unsettled by a random invitation to lecture on the mystery of life and death, Pearlman knows each of them intimately and reveals them to us with unsurpassed generosity.


In prose as knowing as it is poetic, Pearlman shines a light on small, devastatingly precise moments to reflect the beauty and grace found in everyday life. Both for its artistry and for the recognizable lives of the characters it renders so exquisitely and compassionately, Honeydew is a collection that will pull readers back time and again. These stories are a crowning achievement for a brilliant career and demonstrate once more that Pearlman is a master of the form whose vision is unfailingly wise and forgiving.


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