Black-and-white illustrations throughout.
From the Hardcover edition.
DIY maven Lucy Knisley was fascinated by American wedding culture . . . but also sort of horrified by it. So she set out to plan and execute the adorable DIY wedding to end all adorable DIY weddings. And she succeeded. This graphic novel, Something New--clocking in at almost 300 pages of humor, despair, and eternal love--is the story of how Lucy built a barn, invented a whole new kind of photo booth, and managed to turn an outdoor wedding on a rainy day into a joyous (though muddy) triumph.
When Kristen Radtke was in college, the sudden death of a beloved uncle and the sight of an abandoned mining town after his funeral marked the beginning moments of a lifelong fascination with ruins and with people and places left behind. Over time, this fascination deepened until it triggered a journey around the world in search of ruined places. Now, in this genre-smashing graphic memoir, she leads us through deserted cities in the American Midwest, an Icelandic town buried in volcanic ash, islands in the Philippines, New York City, and the delicate passageways of the human heart. Along the way, we learn about her family and a rare genetic heart disease that has been passed down through generations, and revisit tragic events in America’s past.
A narrative that is at once narrative and factual, historical and personal, Radtke’s stunning illustrations and piercing text never shy away from the big questions: Why are we here, and what will we leave behind?
(With black-and-white illustrations throughout; part of the Pantheon Graphic Novel series)
A welcome read for anyone who ever felt more passion for a sandwich than is strictly speaking proper, Relish is a graphic novel for our time: it invites the reader to celebrate food as a connection to our bodies and a connection to the earth, rather than an enemy, a compulsion, or a consumer product.
A Publishers Weekly Best Children's Book of 2013
An NPR Best Book of 2013
During her lifetime, Sanger transformed herself from working class nurse to an exuberant free-lover and savvy manipulator of the media, the law, and her wealthy supporters. Through direct action, propaganda, exile, and imprisonment, she ultimately succeeded in bringing legal access to birth control to women of all classes. Sanger’s revolutionary actions established organizations that eventually evolved into Planned Parenthood Federation of America.
Jones’s autobiographical sections of Our Lady of Birth Control show her journey into activist art in response to the anti-feminist backlash of the Reagan era. From street theater and protest graphics to alternative comics, her path similarly follows in Margaret’s footsteps, encountering versions of the same adversaries. Her striking imagery evokes the late 20th century, recalling the ashcan artists of The Masses, an acclaimed magazine of Sanger’s formative years.
Powerful, poetic, and extremely personal, this historical graphic novel is an in-depth look at the woman responsible for bringing freedom to the masses.
Robbins describes her upbringing in Queens, New York, reading comics through her childhood in the 1940s; visiting the EC offices and becoming part of SF fandom (dating Harlan Ellison at age 16); and posing nude for men’s magazines in the 1950s; living in the Village, over her own boutique where she made clothes for and interacted with rock royalty like David Crosby, Donovan, Cass Elliot; her close relationship with Paul Williams; entering the orbit of underground cartoonists like Art Spiegelman, R. Crumb, Vaughn Bodé, and Bill Griffith, when she started contributing comics to The East Village Other; and, in the ’70s, moving to San Francisco, contending with the phallocentric underground scene, marrying Kim Deitch, co-founding Wimmen’s Comix, and being invited into Felch Comics (she declined); her work for the National Lampoon, Marvel Comics, and Eclipse in the 1980s; and her crisis as a cartoonist and transformation into an historian and lecturer in the ’90s and 2000s.
From science fiction to the Sunset Strip, from New York’s underground newspapers to San Francisco’s underground comix: Trina Robbins broke the rules and broke the law. From dressing Mama Cass to being pelted with jelly babies as she helped photograph the Rolling Stones’s first US tour, from drunken New York nights spent with Jim Morrison to producing the very first all-woman comic book, this former Lady of the Canyon takes no prisoners in this heavily illustrated memoir.
Box Brown brings his great talents as a cartoonist and biographer to this phenomenal new graphic novel. Drawing from historical records about Andre's life as well as a wealth of anecdotes from his colleagues in the wrestling world, including Hulk Hogan, and his film co-stars (Billy Crystal, Robin Wright, Mandy Patinkin, etc), Brown has created in Andre the Giant, the first substantive biography of one of the twentieth century's most recognizable figures.
The marriage of poetry and comics is a deeply fruitful combination, as evidenced by this collection. In stark black and white, the words of the Trench Poets find dramatic expression and reinterpretation through the minds and pens of some of the greatest cartoonists working today.
With New York Times bestselling editor Chris Duffy (Nursery Rhyme Comics, Fairy Tale Comics) at the helm, Above the Dreamless Dead is a moving and illuminating tribute to those who fought and died in World War I. Twenty poems are interpreted in comics form by twenty of today's leading cartoonists, including Eddie Campbell, Kevin Huizenga, George Pratt, and many others.
The book alternates between unconventional pen-and-ink sequential panels that take place in the artist’s present self as he converses with the past; and full-color, acrylic paintings in the manner of David Hockney and Edward Hopper recreating his recollection of that same past. Whatsa Paintoonist? is a masterpiece of concision, remembrance, imagination, and artistry, imbued with the love of life and the love of the artist’s own life.