Once upon a time, four superstar storytellers—New York Times bestselling authors Stephanie Laurens and Mary Balogh, along with Jacquie D'Alessandro and Candice Hern—came up with a delicious idea. What if they each wrote a story about a proper young lady stranded at a remote inn away from society's constraints? What would happen? And how long would it take for her to give in to desire?
In these four amazing tales, four heroines will come face-to-face with the men who got away . . . only to discover that, instead of anger, there is still a passionate connection that cannot be denied. And while each of their lives is quite different, and their pasts utterly unique, they will all make a common discovery—that one night can change everything . . . forever.
Sebastian Ballister, the notorious Marquess of Dain, is big, bad, and dangerous to know. No respectable woman would have anything to do with the "Bane and Blight of the Ballisters"—and he wants nothing to do with respectable women. He's determined to continue doing what he does best—sin and sin again—and all that's going swimmingly, thank you . . . until the day a shop door opens and she walks in.
She's too intelligent to fall for the worst man in the world . . .
Jessica Trent is a determined young woman, and she's going to drag her imbecile brother off the road to ruin, no matter what it takes. If saving him—and with him, her family and future—means taking on the devil himself, she won't back down. The trouble is, the devil in question is so shockingly irresistible, and the person who needs the most saving is—herself!
Gwendolyn Adams is about to propose to an earl. On his deathbed.
Gwendolyn Adams isn't shocked at being asked to save a handsome earl's dying line, even when she learns the prospective bridegroom is seriously ill and possibly insane. She's quite a good nurse, after all, and her family is famous for producing healthy male children. Those stories about his riding the moors half-naked on a pale white horse? Extremely intriguing—especially after she gets her first look at the gorgeous lunatic.
The Earl of Rawnsley wants only to lose what's left of his mind in peace and privacy. But his busybody relatives have saddled him with a surprise bride and orders to sire an heir forthwith. (And they say he's mad?) But with Gwendolyn, his health is returning, and his resistance ... crumbling. Is it possible that love is the finest madness of all?