American Jewry and the Oslo Years

Springer
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The Oslo Process of September 1993 to January 2001 ultimately brought about a permanent break in American Judaism's traditional wall-to-wall support for any Israeli government. Drawing on extensive new sources, Rubin analyzes what this meant for the American and Israeli Jewish communities—critical constituencies in past and future negotiations.
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About the author

Neil Rubin is an associate editor at the Jewish Telegraphic Agency.
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Additional Information

Publisher
Springer
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Published on
Oct 15, 2012
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Pages
211
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ISBN
9781137273789
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Language
English
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Genres
History / Americas (North, Central, South, West Indies)
History / Asia / General
History / General
History / Middle East / General
History / Modern / General
History / United States / General
Political Science / General
Political Science / International Relations / General
Political Science / Political Ideologies / General
Political Science / World / European
Social Science / Anthropology / Cultural & Social
Social Science / General
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Content Protection
This content is DRM protected.
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A major new book by New York Times bestselling author and geopolitical forecaster George Friedman (The Next 100 Years), with a bold thesis about coming events in Europe. This provocative work examines “flashpoints,” unique geopolitical hot spots where tensions have erupted throughout history, and where conflict is due to emerge again.

“There is a temptation, when you are around George Friedman, to treat him like a Magic 8 Ball.”  —The New York Times Magazine

With remarkable accuracy, George Friedman has forecasted coming trends in global politics, technology, population, and culture. In Flashpoints, Friedman focuses on Europe—the world’s cultural and power nexus for the past five hundred years . . . until now. Analyzing the most unstable, unexpected, and fascinating borderlands of Europe and Russia—and the fault lines that have existed for centuries and have been ground zero for multiple catastrophic wars—Friedman highlights, in an unprecedentedly personal way, the flashpoints that are smoldering once again.
     The modern-day European Union was crafted in large part to minimize built-in geopolitical tensions that historically have torn it apart. As Friedman demonstrates, with a mix of rich history and cultural analysis, that design is failing. Flashpoints narrates a living history of Europe and explains, with great clarity, its most volatile regions: the turbulent and ever-shifting land dividing the West from Russia (a vast area that currently includes Ukraine, Belarus, and Lithuania); the ancient borderland between France and Germany; and the Mediterranean, which gave rise to Judaism and Christianity and became a center of Islamic life.
     Through Friedman’s seamless narrative of townspeople and rivers and villages, a clear picture of regions and countries and history begins to emerge. Flashpoints is an engrossing analysis of modern-day Europe, its remarkable past, and the simmering fault lines that have awakened and will be pivotal in the near future. This is George Friedman’s most timely and, ultimately, riveting book.


From the Hardcover edition.
An Economist Best Book of the Year

“Sweeping . . . an ambitious synthesis . . . [Evans] writes with admirable narrative power and possesses a wonderful eye for local color . . . Fascinating.”—Stephen Schuker, The Wall Street Journal

From the bestselling author of The Third Reich at War, a masterly account of Europe in the age of its global hegemony; the latest volume in the Penguin History of Europe series

Richard J. Evans, bestselling historian of Nazi Germany, returns with a monumental new addition to the acclaimed Penguin History of Europe series, covering the period from the fall of Napoleon to the outbreak of World War I. Evans’s gripping narrative ranges across a century of social and national conflicts, from the revolutions of 1830 and 1848 to the unification of both Germany and Italy, from the Russo-Turkish wars to the Balkan upheavals that brought this era of relative peace and growing prosperity to an end. Among the great themes it discusses are the decline of religious belief and the rise of secular science and medicine, the journey of art, music, and literature from Romanticism to Modernism, the replacement of old-regime punishments by the modern prison, the end of aristocratic domination and the emergence of industrial society, and the dramatic struggle of feminists for women’s equality and emancipation. Uniting the era’s broad-ranging transformations was the pursuit of power in all segments of life, from the banker striving for economic power to the serf seeking to escape the power of his landlord, from the engineer asserting society’s power over the environment to the psychiatrist attempting to exert science’s power over human nature itself.
      The first single-volume history of the century, this comprehensive and sweeping account gives the reader a magnificently human picture of Europe in the age when it dominated the rest of the globe.
Combining literary, cultural, and political history, and based on extensive archival research, including previously unseen FBI and CIA documents, Archives of Authority argues that cultural politics--specifically America's often covert patronage of the arts--played a highly important role in the transfer of imperial authority from Britain to the United States during a critical period after World War II. Andrew Rubin argues that this transfer reshaped the postwar literary space and he shows how, during this time, new and efficient modes of cultural transmission, replication, and travel--such as radio and rapidly and globally circulated journals--completely transformed the position occupied by the postwar writer and the role of world literature.

Rubin demonstrates that the nearly instantaneous translation of texts by George Orwell, Thomas Mann, W. H. Auden, Richard Wright, Mary McCarthy, and Albert Camus, among others, into interrelated journals that were sponsored by organizations such as the CIA's Congress for Cultural Freedom and circulated around the world effectively reshaped writers, critics, and intellectuals into easily recognizable, transnational figures. Their work formed a new canon of world literature that was celebrated in the United States and supposedly represented the best of contemporary thought, while less politically attractive authors were ignored or even demonized. This championing and demonizing of writers occurred in the name of anti-Communism--the new, transatlantic "civilizing mission" through which postwar cultural and literary authority emerged.

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