Friday Black

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INSTANT NEW YORK TIMES BESTSELLER

“An unbelievable debut, one that announces a new and necessary American voice.” Tommy Orange, New York Times Book Review

“An excitement and a wonder: strange, crazed, urgent and funny.”George Saunders

“Dark and captivating and essential . . . A call to arms and a condemnation . . . Read this book.” Roxane Gay

A National Book Foundation “5 Under 35” honoree, chosen by Colson Whitehead
Winner of the PEN/Jean Stein Book Award
Finalist for the National Book Critics Circle's John Leonard Award for Best First Book


A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it’s like to be young and black in America.

From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country.

These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by Ice King” show the horrors of consumerism and the toll it takes on us all.

Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.
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About the author

NANA KWAME ADJEI-BRENYAH has an MFA from Syracuse University. His work has appeared or is forthcoming in numerous publications, including Guernica, Printer's Row, and Breakwater Review, where ZZ Packer awarded him the Breakwater Review Fiction Prize.
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4.2
8 total
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Additional Information

Publisher
Houghton Mifflin Harcourt
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Published on
Oct 23, 2018
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Pages
192
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ISBN
9781328915139
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Language
English
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Genres
Fiction / African American / General
Fiction / Literary
Fiction / Satire
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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ONE OF THE 10 BEST BOOKS OF THE YEAR—THE NEW YORK TIMES BOOK REVIEW

WINNER OF THE CENTER FOR FICTION FIRST NOVEL PRIZE

One of the Best Books of the Year: The Washington Post, NPR, Time, O, The Oprah Magazine, San Francisco Chronicle, Entertainment Weekly, The Boston Globe, GQ, The Dallas Morning News, Buzzfeed, BookPage, Publishers Weekly, Library Journal, Kirkus Reviews   

NEW YORK TIMES BEST-SELLER 

Tommy Orange’s “groundbreaking, extraordinary” (The New York Times) There There is the “brilliant, propulsive” (People Magazine) story of twelve unforgettable characters, Urban Indians living in Oakland, California, who converge and collide on one fateful day. It’s “the year’s most galvanizing debut novel” (Entertainment Weekly).
 
As we learn the reasons that each person is attending the Big Oakland Powwow—some generous, some fearful, some joyful, some violent—momentum builds toward a shocking yet inevitable conclusion that changes everything. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle’s death and has come to work at the powwow to honor his uncle’s memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and will to perform in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and loss.
 
There There is a wondrous and shattering portrait of an America few of us have ever seen. It’s “masterful . . . white-hot . . . devastating” (The Washington Post) at the same time as it is fierce, funny, suspenseful, thoroughly modern, and impossible to put down. Here is a voice we have never heard—a voice full of poetry and rage, exploding onto the page with urgency and force. Tommy Orange has written a stunning novel that grapples with a complex and painful history, with an inheritance of beauty and profound spirituality, and with a plague of addiction, abuse, and suicide. This is the book that everyone is talking about right now, and it’s destined to be a classic.
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