Impressionism

Parkstone International
1
Free sample

“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the Impressionist movement? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: “I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist.” In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.
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Publisher
Parkstone International
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Published on
May 10, 2014
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Pages
313
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ISBN
9781783103881
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Features
Flowing text, Original pages
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Web, Tablet, Phone, eReader
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Language
English
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Genres
Art / European
Art / General
Art / History / Modern (late 19th Century to 1945)
Art / Techniques / Oil Painting
Art / Techniques / Watercolor Painting
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CONTENTS:

The Highlights
LUNCHEON ON THE GRASS
SELF PORTRAIT WITH A BERET
THE TERRACE AT SAINTE-ADRESSE
WOMEN IN THE GARDEN
BATHERS-AT-LA-GRENOUILLÈRE
ON THE BANK OF THE SEINE, BENNECOURT
THE MAGPIE
POPPIES BLOOMING
WOMAN WITH A PARASOL
IMPRESSION, SUNRISE
GARE SAINT LAZARE, ARRIVAL OF A TRAIN
IN THE WOODS AT GIVERNY BLANCHE HOSCHEDÉ
HAYSTACKS, (SUNSET)
ROUEN CATHEDRAL, FAÇADE (SUNSET)
BRIDGE OVER A POND OF WATER LILIES
HOUSES OF PARLIAMENT, LONDON
WATER LILIES
THE GRAND CANAL, VENICE
NYMPHEAS
THE ROSE-WAY IN GIVERNY

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ALPHABETICAL LIST OF PAINTINGS

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