"America is something new under the sun. not so much a nation at all as a precog flash of the future of the species . . .
I wrote believing that I was simply writing disconnected science fiction stories from whatever came into my head . . . And they all turned out to be about America, the leading edge of all possible futures unfolding around us . . . After all, that was what was coming into my head, that's the mother lode of science fiction realities - the American fusion plasma of which we are creatures - and all we have to do is keep ourselves open to it . . . that's my definition of science fiction.
We have seen the future and it is us."
Norman Spinrad (1940 - )Norman Richard Spinrad was born in New York City in 1940. He began publishing science fiction in 1963 and has been an important, if sometimes controversial, figure in the genre ever since. He was a regular contributor to New Worlds magazine and, ironically, the cause of its banning by W H Smith, which objected to the violence and profanity in his serialised novel Bug Jack Barron. Spinrad's work has never shied away from the confrontational, be it casting Hitler as a spiteful pulp novelist or satirising the Church of Scientology. In addition to his SF novels, he has written non-fiction, edited anthologies and contributed a screenplay to the second season of Star Trek. In 2003, Norman Spinrad was awarded the Prix Utopia, a life achievement award given by the Utopiales International Festival in Frances, where he now lives.
The time is the 24th century. Humankind populates the entire solar system from icy Pluto to boiling Mercury. Great domed cities, humming factories, hordes of workers, all feed the power of the dictatorship that controls all life. Only a small group among the cowed population dares rebel in a struggle that pits democracy against tyranny.
But there is a third force at work as well. A mysterious band of assassins whose final solution to the problem of humanity's fate is as terrifying as it is irresistible - one of them is known as the AGENT OF CHAOS.
In this thought-provoking work set in the near future and first published in 2007, Spinrad (Raising Hell) traces the course of his protagonist’s life from naive youth to veteran soldier... At its core, the book is about a young man struggling with his faith and the politics that are rightly or wrongly attached to that faith, and his choices feel plausible even to readers who would make very different ones. -- Publishers Weekly, Starred Review
OSAMA THE GUN, set in a not-so-far future when the "Sons of Osama" have established a powerful Islamic Caliphate with Pakistani nuclear weapons and Arabian oil money, is the story of one of those "sons" of the martyr, a naive and sincere young man who becomes a Caliphate secret agent to escape its closed confines and see the world -- and finds himself becoming the reluctant hero of the title.
Osama the Gun becomes a terrorist leader on a small scale by happenstance, a mercenary used by Islamic forces fighting an American proxy invasion in the oil lands of Nigeria, an iconic figure in the manner of "El Che." All the while he charms the reader as a likable, sincere, idealistic, and sympathetic human doing very unsympathetic things to the interests of the United States of America.
"I wanted the reader to hate the sin, but love the sinner, because I felt it had to be done, and since no one else seemed to be willing to do it, I had to try to do it myself, come what may. Because Islam was being confused with its radical Middle Eastern jihadhis, and Arabs in general with terrorists, and it seemed to me that the alien jihadhist consciousness had to be experienced from within and empathetically understood. Which was why OSAMA THE GUN had to be written, and why, as one foaming at the mouth rejection letter predicted, no American publisher would touch this book." -- Norman Spinrad
In 1919, a young Austrian artist by the name of Adolf Hitler immigrated to the United States to become an illustrator for the pulp magazines and, eventually, a Hugo Award-winning SF author.
This volume contains his greatest work, Lord of the Swastika: an epic post-apocalyptic tale of genetic 'trueman' Feric Jagger and his quest to purify the bloodline of humanity by ruthlessly slaughtering races of the genetically impure - a quest Norman Spinrad expertly skewers through ironic imagery and over-the-top rhetoric.
Spinrad hoped to expose some unpalatable truths about much of SF and Fantasy literature and its uncomfortable relationship with fascist ideologies - an aim that was not always apparent to neo-fascist readers. In order to make his aims clear to the hard-of-understanding, Spinrad added an imaginary critical analysis by a fictional literary scholar, Homer Whipple, of New York University.