Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.
Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.
Despite the Nazi oppression of all Jews in the lands under their control, Judith Sternberg Newman and her family were hugely fortunate to have managed get permission to settle in Paraguay in 1940. However their escape was blocked by the German authorities who refused to provide an exit visa, from that moment on, as the author notes, “fate turned against us”. As the author relates in these horrific memoirs are the torments, brutality and death at Auschwitz; the treatment that left here by the end of the war as the only surviving member of her family. She emigrated to America in 1947 where she was able to practise at her chosen profession in nursing and raise a family.
Commemorative in spirit and artistic in form, Auschwitz convincingly portrays the paradoxes of human nature in extreme circumstances. With consummate understatement Nomberg-Przytyk describes the behavior of concentration camp inmates as she relentlessly and pitilessly examines her own motives and feelings. In this world unmitigated cruelty coexisted with nobility, rapacity with self-sacrifice, indifference with selfless compassion. This book offers a chilling view of the human drama that existed in Auschwitz.
From her portraits of camp personalities, an extraordinary and horrifying profile emerges of Dr. Josef Mengele, whose medical experiments resulted in the slaughter of nearly half a million Jews. Nomberg-Przytyk's job as an attendant in Mengle's hospital allowed her to observe this Angel of Death firsthand and to provide us with the most complete description to date of his monstrous activities.
The original Polish manuscript was discovered by Eli Pfefferkorn in 1980 in the Yad Vashem Archive in Jerusalem. Not knowing the fate of the journal's author, Pfefferkorn spent two years searching and finally located Nomberg-Przytyk in Canada. Subsequent interviews revealed the history of the manuscript, the author's background, and brought the journal into perspective.
The aggressive nationalism and anti-Semitism of the National Socialists were not solely the products of Hitler's fanaticism. Rather, themes of national redemption and the elimination of the Jews are present throughout recent German history and have their origins in the Bible as well as in the earliest German patriotic writings of the twelfth century. By tracking these ideas back through their various sources, James places the Holocaust squarely within its historical and cultural context.
This book begins with the fact that there is apparently nothing historically unique about human beings killing one another in relatively large numbers. Genocide appears to be a phenomenon that has been a part of human history since we began to record our worst excesses. Certainly it has been in the forefront of human consciousness as the last century came to its bloody conclusion. It is not an intractable problem. A mass movement to prevent genocide can be built, and once created it should pressure the federal government to focus its foreign policy on the prevention of genocide.
Cómo eran y actuaban los dirigentes de Auschwitz y Belsen; quién fue Joseph Kramer, juzgado como el criminal número uno en el proceso de Luneburg.
Olga Lengyel conservó como testimonio de esta experiencia las cicatrices y la marca del cautiverio, pruebas que mantuvieron incólume su espíritu de humanismo.
En Los hornos de Hitler la autora narra al mundo civilizado el horror de los campos de exterminio nazis.
“... Thank you for your very frank, very well written book. You have done a real service by letting the ones who are now silent and most forgotten speak ...With best regards and wishes, — A. Einstein.”
“This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilisation. Passionate, tormenting’”—New York Herald-Tribune
“It is a picture of utter hell”—Saturday Review of Literature