Eve and Cooper Morrison are Savannah's power couple. They're on every artistic board and deeply involved in the community. She owns and operates a letterpress studio specializing in the handmade; he runs a digital magazine featuring all things southern gentlemen. The perfect juxtaposition of the old and the new, Eve and Cooper are the beautiful people. The lucky ones. And they have the wealth and name that comes from being part of an old Georgia family.
But things may not be as good as they seem.
Eve's sister, Willa, is staying with the family until she gets "back on her feet." Their daughter, Gwen, is all adolescent rebellion. And Cooper thinks Eve works too much. Still, the Morrison marriage is strong. After twenty-one years together, Eve and Cooper know each other. They count on each other. They know what to expect. But when Cooper and Willa are involved in a car accident, the questions surrounding the event bring the family close to breaking point. Sifting between the stories—what Cooper says, what Willa remembers, what the evidence indicates—Eve has to find out what really happened. And what she's going to do about it.A riveting story about the power of truth, The Stories we Tell will open your eyes and rearrange your heart.
PATTI CALLAHAN HENRY is a full-time writer, wife, and mother. A New York Times bestselling author, her novels include And Then I Found You, Between the Tides, and Driftwood Summer. Patti lives with her husband and three children in Mountain Brook, Alabama, where she is working on her next novel.
All their lives, Alice Stanhope and her daughter, Zoe, have been a family of two, living quietly in Northern California. Zoe has always struggled with crippling social anxiety and her mother has been her constant and fierce protector. With no family to speak of, and the identity of Zoe’s father shrouded in mystery, their team of two works—until it doesn’t. Until Alice gets sick and needs to fight for her life.
Desperate to find stability for Zoe, Alice reaches out to two women who are practically strangers but who are her only hope: Kate, a nurse, and Sonja, a social worker. As the four of them come together, a chain of events is set into motion and all four of them must confront their sharpest fears and secrets—secrets about abandonment, abuse, estrangement, and the deepest longing for family. Imbued with heart and humor in even the most dismal moments, The Mother’s Promise is an unforgettable novel about the unbreakable bonds between mothers and daughters and the new ways in which families are forged.
Sally Hepworth novels are "sure to appeal to fans of Jojo Moyes, Jodi Picoult, and Lisa Genova; book clubs will be lining up." —Library Journal (starred review)
Into this great western metropolis came young Lafcadio Hearn, who after several tentative starts became a newspaper reporter first for the Enquirer and then for the Commercial. Drawn to the Ohio River by his interest in the unusual, Hearn found beneath the rough surface of levee life a kind of cosmopolitan tolerance which emphasized the essential humanity of the community.
Hearn's twelve sketches -- here reprinted as a unit for the first time -- are perceptive and sympathetic, yet not highly subjective and romanticized. Collectively they form an important comprehensive picture of African American life in a border city just after the Civil War. Among the earliest of his writings, they also foreshadow the course Hearn's life was to take in New Orleans, the West Indies, and finally Japan.
Ella's life has been completely upended. She's young, beautiful, and deeply in love—until her husband dies in a tragic sailing accident while trying save her. Or so she'll have everyone believe. Screenwriter Hunter needs a hit, but crippling writers' block and a serious lack of motivation are getting him nowhere. He's on the look-out for a love story. It doesn't matter who it belongs to.
When Hunter and Ella meet in Watersend, South Carolina it feels like the perfect match, something close to fate. In Ella, Hunter finds the perfect love story, full of longing and sacrifice. It's the stuff of epic films. In Hunter, Ella finds possibility. It's an opportunity to live out a fantasy – the life she wishes she had because hers is too painful. And more real. Besides. what's a little white lie between strangers? But one lie leads to another, and soon Hunter and Ella find themselves caught in a web of deceit. As they try to untangle their lies and reclaim their own lives, they feel something stronger is keeping them together. And so they wonder: can two people come together for all the wrong reasons and still make it right?
“. . . charming characters and twists that keep the pages turning.” —Southern Living
A man with a painful past. A child with a doubtful future. And a shared journey toward healing for both their hearts.
It begins on the shaded town square in a sleepy Southern town. A spirited seven-year-old has a brisk business at her lemonade stand. But the little girl’s pretty yellow dress can’t quite hide the ugly scar on her chest.
Her latest customer, a bearded stranger, drains his cup and heads to his car, his mind on a boat he's restoring at a nearby lake. The stranger understands more about the scar than he wants to admit. And the beat-up bread truck careening around the corner with its radio blaring is about to change the trajectory of both their lives.
Before it's over, they'll both know there are painful reasons why crickets cry . . . and that miracles lurk around unexpected corners.
"If you read any book this year, this is the one." —Coffee Time Romance
"Martin's writing is gifted and blessed and insightful. His prose captures the essence of the story with beauty and sensitivity. I look forward to reading more of his work, past and future." —onceuponaromance.net
"[O]ne of the best books I've been asked to review, and certainly the best one this year!" —bestfiction.tripod.com
"How is Charles Martin able to take mere words and breathe such vibrant life into them? Each character is drawn with an artist's attention to detail, beauty and purpose. Readers won't want the story to end because that means leaving these lovable people who have become so much more than just a name in a book." —inthelibraryreviews.net