National Book Award Finalist—Fiction
In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people in this exquisitely rendered, morally complex, multilayered novel of historical fiction from the author of Enemy Women that explores the boundaries of family, responsibility, honor, and trust.
In the wake of the Civil War, Captain Jefferson Kyle Kidd travels through northern Texas, giving live readings from newspapers to paying audiences hungry for news of the world. An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.
In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.
Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.
Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.
Paulette Jiles is a novelist, poet, and memoirist. She is the author of Cousins, a memoir, and the novels Enemy Women, Stormy Weather, The Color of Lightning, Lighthouse Island, and News of the World, which was a finalist for the 2016 National Book Award. She lives on a ranch near San Antonio, Texas.
"A gripping tale, a history lesson infused with both sadness at the violence perpetuated against the Cheyenne and awe at the endurance of this remarkable group of women." —Booklist, starred review
9 March 1876
My name is Meggie Kelly and I take up this pencil with my twin sister, Susie. We have nothing left, less than nothing. The village of our People has been destroyed, all our possessions burned, our friends butchered by the soldiers, our baby daughters gone, frozen to death on an ungodly trek across these rocky mountains. Empty of human feeling, half-dead ourselves, all that remains of us intact are hearts turned to stone. We curse the U.S. government, we curse the Army, we curse the savagery of mankind, white and Indian alike. We curse God in his heaven. Do not underestimate the power of a mother’s vengeance...
So begins the Journal of Margaret Kelly, a woman who participated in the U.S. government's "Brides for Indians" program in 1873, a program whose conceit was that the way to peace between the United States and the Cheyenne Nation was for One Thousand White Woman to be given as brides in exchange for three hundred horses. These "brides" were mostly fallen women; women in prison, prostitutes, the occasional adventurer, or those incarcerated in asylums. No one expected this program to work. And the brides themselves thought of it simply as a chance at freedom. But many of them fell in love with their Cheyenne spouses and had children with them...and became Cheyenne themselves.
The Vengeance of Mothers explores what happens to the bonds between wives and husbands, children and mothers, when society sees them as "unspeakable." What does it mean to be white, to be Cheyenne, and how far will these women go to avenge the ones they love? With vivid detail and keen emotional depth, Jim Fergus brings to light a time and place in American history and fills it with unforgettable characters who live and breathe with a passion we can relate to even today.
Spanning the years of the first great settlement of the West, The Removes tells the intertwining stories of fifteen-year-old Anne Cummins, frontierswoman Libbie Custer, and Libbie’s husband, the Civil War hero George Armstrong Custer. When Anne survives a surprise attack on her family’s homestead, she is thrust into a difficult life she never anticipated—living among the Cheyenne as both a captive and, eventually, a member of the tribe. Libbie, too, is thrown into a brutal, unexpected life when she marries Custer. They move to the territories with the U.S. Army, where Libbie is challenged daily and her worldview expanded: the pampered daughter of a small-town judge, she transforms into a daring camp follower. But when what Anne and Libbie have come to know—self-reliance, freedom, danger—is suddenly altered through tragedy and loss, they realize how indelibly shaped they are by life on the treacherous, extraordinary American plains.
With taut, suspenseful writing, Tatjana Soli tells the exhilarating stories of Libbie and Anne, who have grown like weeds into women unwilling to be restrained by the strictures governing nineteenth-century society. The Removes is a powerful, transporting novel about the addictive intensity and freedom of the American frontier.
Oil is king of East Texas during the darkest years of the Great Depression. The Stoddard girls—responsible Mayme, whip-smart tomboy Jeanine, and bookish Bea—know no life but an itinerant one, trailing their father from town to town as he searches for work on the pipelines and derricks; that is, when he's not spending his meager earnings at gambling joints, race tracks, and dance halls. And in every small town in which the windblown family settles, mother Elizabeth does her level best to make each sparse, temporary house they inhabit a home.
But the fall of 1937 ushers in a year of devastating drought and dust storms, and the family's fortunes sink further than they ever anticipated when a questionable "accident" leaves Elizabeth and her girls alone to confront the cruelest hardships of these hardest of times. With no choice left to them, they return to the abandoned family farm.
It is Jeanine, proud and stubborn, who single-mindedly devotes herself to rebuilding the farm and their lives. But hard work and good intentions won't make ends meet or pay the back taxes they owe on their land. In desperation, the Stoddard women place their last hopes for salvation in a wildcat oil well that eats up what little they have left . . . and on the back of late patriarch Jack's one true legacy, a dangerous racehorse named Smoky Joe. And Jeanine, the fatherless "daddy's girl," must decide if she will gamble it all . . . on love.
In the coming centuries the world's population has exploded. The earth is crowded with cities, animals are nearly all extinct, and drought is so widespread that water is rationed. There are no maps, no borders, no numbered years, and no freedom, except for an elite few.
It is a harsh world for an orphan like Nadia Stepan. Growing up, she dreams of a green vacation spot called Lighthouse Island, in a place called the Pacific Northwest.
When an opportunity for escape arises, Nadia embarks on a dangerous and sometimes comic adventure. Along the way she meets a man who changes the course of her life: James Orotov, a mapmaker and demolition expert. Together, they evade arrest and head north toward a place of wild beauty that lies beyond the megapolis—Lighthouse Island.