‘My true name is so well known in the Records or Registers at Newgate, and in the Old Bailey, and there are some things of such consequence still depending there, relating to my particular conduct, that it is not to be expected I should set my name or the account of my family to this work.’
Born into the seedy world of Newgate Prison and abandoned as a baby at six months old, Moll Flanders soon learns that she can only rely on herself. Her story is an unapologetic one of bigamy, prostitution and theft told in her own indomitable and alluring way. Scurrilous and incorrigible, the reader is left wondering whether Moll is merely a brazen criminal, or a victim or her own circumstance.
Defoe’s witty romp through the eighteenth-century underworld has much to say about the forces of good and evil and is undeniably one of his most satirical novels.
In the traditional folktale of "Sleeping Beauty," the spell cast upon the lovely young princess and everyone in her castle can only be broken by the kiss of a Prince. It is an ancient story, one that originally emerged from and still deeply disturbs the mind's unconscious. In the first book of the trilogy, Anne Rice (author of Beauty's Kingdom), writing as A.N. Roquelaure, retells the Beauty story and probes the unspoken implications of this lush, suggestive tale by exploring its undeniable connection to sexual desire. Here the Prince awakens Beauty, not with a kiss, but with sexual initiation. His reward for ending the hundred years of enchantment is Beauty's complete and total enslavement to him . . . as Anne Rice explores the world of erotic yearning and fantasy in a classic that becomes, with her skillful pen, a compelling experience. Readers of Fifty Shades of Grey will indulge in Rice’s deft storytelling and imaginative eroticism, a sure-to-be classic for years to come.
Praise for The Claiming of Sleeping Beauty:
"Articulate, baroque, and fashionably pornographic." —Playboy
"Something very special . . . at once so light and yet so haunting." —The Advocate