It’s a miracle that he can see demons, plain as day, and that he can cast them out with the force of his will. It’s a miracle that he’s friends with Pico della Mirandola, the Count of Concordia. It’s a miracle that when Girolamo visits the deathbed of Lorenzo “the Magnificent,” the dying Medici is wreathed in celestial light, a surprise to everyone, Lorenzo included. It’s a miracle that when Charles VIII of France invades northern Italy, Girolamo meets him in the field, and convinces him to not only spare Florence but also protect it. It’s a miracle than whenever Girolamo preaches, crowds swoon. It’s a miracle that, despite the Pope’s determination to bring young Girolamo to heel, he’s still on the loose...and, now, running Florence in all but name.
That’s only the beginning. Because Girolamo Savanarola is not who—or what—he thinks he is. He will discover the truth about himself at the most startling possible time. And this will be only the beginning of his many lives.
"Rendered with Walton's usual power and beauty...It's this haunting character complexity that ultimately holds the reader captive to the tale." —N. K. Jemisin, New York Times, on My Real Children
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
of the Pandavas, told from the perspective of the victors of Kurukshetra, Ajaya is the tale of the
Kauravas, who were decimated to the last man. From the pen of the author who gave voice to
Ravana in the national bestseller, ASURA, comes the riveting narrative which compels us to question
the truth behind the Mahabharata.
THE DARK AGE OF KALI IS RISING and every man and woman must choose between duty
and conscience, honour and shame, life and death…
o The Pandavas, banished to the forest following the disastrous games of dice, return
o Draupadi has vowed not to bind her hair till she washes it in the blood of the Kauravas.
o Karna must choose between loyalty and gratitude, friend and Guru.
o Aswathama undertakes a perilous mission to the mountains of Gandhara, in search of the
o Kunti must decide between her firstborn and her other sons.
o Guru Drona has to stand with either his favourite disciple or his beloved son.
o Balarama, having failed to convince his brother about the adharma of violence, walks the
streets of Bharatavarsha, spreading the message of peace.
o Ekalavya is called to make the ultimate sacrifice to uphold a woman’s honour.
o Jara, the beggar, sings of Krishna’s love while his blind dog, Dharma, follows.
o Shakuni can almost see the realization of his dream to destroy India.
As the Pandavas stake their claim to the Hastinapura throne, the Kaurava Crown Prince, Suyodhana,
rises to challenge Krishna. As great minds debate dharma and adharma, power hungry men prepare
for an apocalyptic war. The women, highborn and humble, helplessly watch the unfolding disaster
with deep foreboding. And greedy merchants and unscrupulous priests lie in wait like vultures.
Both sides know that beyond the agony and carnage the winner will take all. But even as gods
conspire and men’s destinies unfold, a far greater truth awaits.
One of the six most remarkable writers of India. DNA
An Amazing read. The WEEK
Unique voice of a rebellious author telling the story from the other side,
a feat a few have dared or managed so well. Bihar Times"
“A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly.” —Zadie Smith
One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.