Little Nightmares, Little Dreams: Short Stories

Open Road Media
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Rachel Simon’s debut, originally published in 1990, is a collection of stories about the struggle for love and intimacy, told from the point of view of adolescent girls, young mothers, and elderly women. Some are rooted in reality, others in magical realism, with tones ranging from serious to comic, sunny to dark. Throughout, Simon employs such a wide range of voices—sweet, shrewd, wistful, irascible, vulnerable, sensual—the Philadelphia Inquirer hailed her as “a literary ventriloquist.”

Among the highlights are “Little Nightmares, Little Dreams,” in which an elderly couple enters the unknown by trying to dream the same dream; “Paint,” in which a runaway-turned-artist’s-model provokes protests after her naked body becomes the canvas; “Afterglow,” in which a plucky thirteen-year-old playing hooky is held hostage by an escaped convict; “Grandma Death,” in which an overbearing grandmother can’t seem to go anywhere without someone dropping dead; and “Better Than A Box of Dreams,” in which a maid irritated by her boss’s dream therapy sessions dreams her own fondest wish back to life.

Little Nightmares, Little Dreams was presented on NPR’s Selected Shorts and the Lifetime program The Hidden Room. “Paint” and “The Speed of Love” were adapted by the Arden Theatre Company, and “Better Than A Box of Dreams” for InterAct Theatre, both in Philadelphia.

This 2014 ebook rerelease includes four previously uncollected stories. It also includes a new introduction that tells the story of the book’s astonishing path to publication, reveals the inspiration behind several stories, and offers wisdom from a seasoned writing friend that writers everywhere will treasure.



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Rachel Simon is a New York Times bestselling author best known for the memoir Riding The Bus With My Sister (2002), adapted for a film by the same name, and the novel The Story of Beautiful Girl (2011). Little Nightmares, Little Dreams was her first book. Rachel Simon lives in Delaware.
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Publisher
Open Road Media
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Published on
3 Feb 2015
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Pages
212
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ISBN
9781497693357
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Language
Kiingereza
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Genres
Fiction / Short Stories (single author)
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Content Protection
This content is DRM protected.
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Available on Android devices
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An all-new Dresden Files story headlines this urban fantasy short story collection starring the Windy City’s favorite wizard.

The world of Harry Dresden, Chicago’s only professional wizard, is rife with intrigue—and creatures of all supernatural stripes. And you’ll make their intimate acquaintance as Harry delves into the dark side of truth, justice, and the American way in this must-have short story collection.

From the Wild West to the bleachers at Wrigley Field, humans, zombies, incubi, and even fey royalty appear, ready to blur the line between friend and foe. In the never-before-published “Zoo Day,” Harry treads new ground as a dad, while fan-favorite characters Molly Carpenter, his onetime apprentice, White Council Warden Anastasia Luccio, and even Bigfoot stalk through the pages of more classic tales.

With twelve stories in all, Brief Cases offers both longtime fans and first-time readers tantalizing glimpses into Harry’s funny, gritty, and unforgettable realm, whetting their appetites for more to come from the wizard with a heart of gold.

The collection includes:

  •  “Curses,” from Naked City, edited by Ellen Datlow
  •  “AAAA Wizardry,” from the Dresden Files RPG
  •  “Even Hand,” from Dark and Stormy Knights, edited by P. N. Elrod
  •  “B is for Bigfoot,” from Under My Hat: Tales from the Cauldron, edited by Jonathan Strahan. Republished in Working for Bigfoot.
  •  “I was a Teenage Bigfoot,” from Blood Lite III: Aftertaste, edited by Kevin J. Anderson. Republished in Working for Bigfoot.
  •  “Bigfoot on Campus,” from Hex Appeal, edited by P. N. Elrod. Republished in Working for Bigfoot.
  •  “Bombshells,” from Dangerous Women, edited by George R. R. Martin and Gardner Dozois
  •  “Jury Duty,” from Unbound, edited by Shawn Speakman
  •  “Cold Case,” from Shadowed Souls, edited by Jim Butcher and Kerrie Hughes
  •  “Day One,” from Unfettered II, edited by Shawn Speakman
  •  “A Fistful of Warlocks,” from Straight Outta Tombstone, edited by David Boop
  •  “Zoo Day,” a brand-new novella, original to this collection
A “heartwarming, life-affirming” memoir of a relationship with an intellectually disabled sibling: “Read this book. It might just change your life” (Boston Herald).
 
Beth is a spirited woman with an intellectual disability who lives intensely and often joyfully, and spends most of her days riding the buses in Pennsylvania. The drivers, a lively group, are her mentors; her fellow passengers, her community—though some display less patience or kindness than others.
 
Her sister, Rachel, a teacher and writer, camouflages her emotional isolation by leading a hyperbusy life. But one day, Beth asks Rachel to accompany her on public transportation for an entire year—and Rachel accepts. This wise, funny, deeply affecting book is the chronicle of that remarkable time, as Rachel learns how to live in the moment, how to pay attention to what really matters, how to change, how to love—and how to slow down and enjoy the ride.
 
Weaving in anecdotes and memories of terrifying maternal abandonment, fierce sisterly loyalty, and astonishing forgiveness, Rachel Simon brings to light a world that is almost invisible to many people, finds unlikely heroes in everyday life, and, without sentimentality, wrestles with her own limitations and portrays Beth as the endearing, feisty, independent person she is.
 
“With tenderness and fury, heartbreak and acceptance . . . Simon comes to the inescapable conclusion that we are all riders on the bus, and on the bus we are all the same.” —Jacquelyn Mitchard, author of The Deep End of the Ocean
In the first major study of women in an Arab country�s Jewish community, Rachel Simon examines the changing status of Jewish women in Libya from the second half of the nineteenth century until 1967, when most Jews left the country. Simon shows how social, economic, and political changes in Libyan society as a whole affected its Jewish minority and analyzes the developments in women�s social position, family life, work, education, and participation in public life.

Jews lived in Libya for more than two thousand years. As a result of their isolation from other Jewish centers and their extended coexistence with Berber and Arab Muslims, the Jews of Libya were strongly influenced by the manners, customs, regulations, and beliefs of the Muslim majority. The late nineteenth century witnessed a growing European cultural and economic penetration of Ottoman Liibya, which increased after the Italian occupation of Libya in 1911. Italian rule continued until a British Military Administration was established in 1942-43. Libya became independent in late 1951. The changing political regimes presented the Jewish minority with different models of social and cultural behavior. These changes in the foci of inspiration and imitation had significant implications for the position of Jewish women, as Jewish traditional society was exposed to modernizing and Westernizing influences.

Economic factors had a strong impact on the position of women. Because of recurring economic crises in the late nineteenth century, Jewish families became willing to allow women to work outside the home. Some families also allowed their daughters to pursue vocational training and thus exposed them also to academic studies, especially at schools operated by representatives of European Jewish organizations.

Although economic and educational opportunities for women increased, the Jewish community as a whole remained traditional in its social structure, worldview, and approach to interpersonal relations. The principles upon which the community operated did not change drastically, and the male power structure did not alter in either the private or the public domain. Thus the position of women changed little within these spheres, despite the expansion of opportunities for women in education and economic life. Change was slow, evolutionary, and within the framework of traditional society.

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