Little Nightmares, Little Dreams: Short Stories

Open Road Media
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Rachel Simon’s debut, originally published in 1990, is a collection of stories about the struggle for love and intimacy, told from the point of view of adolescent girls, young mothers, and elderly women. Some are rooted in reality, others in magical realism, with tones ranging from serious to comic, sunny to dark. Throughout, Simon employs such a wide range of voices—sweet, shrewd, wistful, irascible, vulnerable, sensual—the Philadelphia Inquirer hailed her as “a literary ventriloquist.”

Among the highlights are “Little Nightmares, Little Dreams,” in which an elderly couple enters the unknown by trying to dream the same dream; “Paint,” in which a runaway-turned-artist’s-model provokes protests after her naked body becomes the canvas; “Afterglow,” in which a plucky thirteen-year-old playing hooky is held hostage by an escaped convict; “Grandma Death,” in which an overbearing grandmother can’t seem to go anywhere without someone dropping dead; and “Better Than A Box of Dreams,” in which a maid irritated by her boss’s dream therapy sessions dreams her own fondest wish back to life.

Little Nightmares, Little Dreams was presented on NPR’s Selected Shorts and the Lifetime program The Hidden Room. “Paint” and “The Speed of Love” were adapted by the Arden Theatre Company, and “Better Than A Box of Dreams” for InterAct Theatre, both in Philadelphia.

This 2014 ebook rerelease includes four previously uncollected stories. It also includes a new introduction that tells the story of the book’s astonishing path to publication, reveals the inspiration behind several stories, and offers wisdom from a seasoned writing friend that writers everywhere will treasure.

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Rachel Simon is a New York Times bestselling author best known for the memoir Riding The Bus With My Sister (2002), adapted for a film by the same name, and the novel The Story of Beautiful Girl (2011). Little Nightmares, Little Dreams was her first book. Rachel Simon lives in Delaware.
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Open Road Media
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3 лют. 2015 р.
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NEW YORK TIMES BESTSELLER • Get ready for the ultimate Jack Reacher experience: a thrilling new novella and eleven previously published stories, together for the first time in one pulse-pounding collection from Lee Child.

No Middle Name begins with “Too Much Time,” a brand-new work of short fiction that finds Reacher in a hollowed-out town in Maine, where he witnesses a random bag-snatching but sees much more than a simple crime. “Small Wars” takes readers back to 1989, when Reacher is an MP assigned to solve the brutal murder of a young officer found along an isolated forest road in Georgia—and whose killer may be hiding in plain sight. In “Not a Drill,” Reacher tries to take some downtime, but a pleasant hike in Maine turns into a walk on the wild side—and perhaps something far more sinister. “High Heat” time-hops to 1977, when Reacher is a teenager in sweltering New York City during a sudden blackout that awakens the dark side of the city that never sleeps. Okinawa is the setting of “Second Son,” which reveals the pivotal moment when young Reacher’s sharp “lizard brain” becomes just as important as his muscle. In “Deep Down,” Reacher tracks down a spy by matching wits with four formidable females—three of whom are clean, but the fourth may prove fatal. Rounding out the collection are “Guy Walks into a Bar,” “James Penney’s New Identity,” “Everyone Talks,” “The Picture of the Lonely Diner,” “Maybe They Have a Tradition,” and “No Room at the Motel.”

No suitcase. No destination. No middle name. No matter how far Reacher travels off the beaten path, trouble always finds him. Feel bad for trouble.

Praise for No Middle Name
“Captivating . . . classic [Lee] Child . . . This volume demonstrates what his fans already know: he’s a born storyteller and an astute observer.”—Publishers Weekly (starred review)
“Lee Child, like his creation, always knows exactly what he’s doing—and he does it well. Time in his company is never wasted.”—Evening Standard
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LOS ANGELES TIMES AND BUZZFEED • Taking place nearly a century before the events of A Game of Thrones, A Knight of the Seven Kingdoms compiles the first three official prequel novellas to George R. R. Martin’s ongoing masterwork, A Song of Ice and Fire. These never-before-collected adventures recount an age when the Targaryen line still holds the Iron Throne, and the memory of the last dragon has not yet passed from living consciousness.
Before Tyrion Lannister and Podrick Payne, there was Dunk and Egg. A young, naïve but ultimately courageous hedge knight, Ser Duncan the Tall towers above his rivals—in stature if not experience. Tagging along is his diminutive squire, a boy called Egg—whose true name is hidden from all he and Dunk encounter. Though more improbable heroes may not be found in all of Westeros, great destinies lay ahead for these two . . . as do powerful foes, royal intrigue, and outrageous exploits.
Featuring more than 160 all-new illustrations by Gary Gianni, A Knight of the Seven Kingdoms is a must-have collection that proves chivalry isn’t dead—yet.

Praise for A Knight of the Seven Kingdoms

“Readers who already love Martin and his ability to bring visceral human drama out of any story will be thrilled to find this trilogy brought together and injected with extra life.”—Booklist

“The real reason to check out this collection is that it’s simply great storytelling. Martin crafts a living, breathing world in a way few authors can. . . . [Gianni’s illustrations] really bring the events of the novellas to life in beautiful fashion.”—Tech Times

“Stirring . . . As Tolkien has his Silmarillion, so [George R. R.] Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more.”—Kirkus Reviews (starred review)

“Pure fantasy adventure, with two of the most likable protagonists George R. R. Martin has ever penned.”—Bustle

“A must-read for Martin’s legion of fans . . . a rousing prelude to [his] bestselling Song of Ice and Fire saga . . . rich in human drama and the colorful worldbuilding that distinguishes other books in the series.”—Publishers Weekly
In the first major study of women in an Arab country�s Jewish community, Rachel Simon examines the changing status of Jewish women in Libya from the second half of the nineteenth century until 1967, when most Jews left the country. Simon shows how social, economic, and political changes in Libyan society as a whole affected its Jewish minority and analyzes the developments in women�s social position, family life, work, education, and participation in public life.

Jews lived in Libya for more than two thousand years. As a result of their isolation from other Jewish centers and their extended coexistence with Berber and Arab Muslims, the Jews of Libya were strongly influenced by the manners, customs, regulations, and beliefs of the Muslim majority. The late nineteenth century witnessed a growing European cultural and economic penetration of Ottoman Liibya, which increased after the Italian occupation of Libya in 1911. Italian rule continued until a British Military Administration was established in 1942-43. Libya became independent in late 1951. The changing political regimes presented the Jewish minority with different models of social and cultural behavior. These changes in the foci of inspiration and imitation had significant implications for the position of Jewish women, as Jewish traditional society was exposed to modernizing and Westernizing influences.

Economic factors had a strong impact on the position of women. Because of recurring economic crises in the late nineteenth century, Jewish families became willing to allow women to work outside the home. Some families also allowed their daughters to pursue vocational training and thus exposed them also to academic studies, especially at schools operated by representatives of European Jewish organizations.

Although economic and educational opportunities for women increased, the Jewish community as a whole remained traditional in its social structure, worldview, and approach to interpersonal relations. The principles upon which the community operated did not change drastically, and the male power structure did not alter in either the private or the public domain. Thus the position of women changed little within these spheres, despite the expansion of opportunities for women in education and economic life. Change was slow, evolutionary, and within the framework of traditional society.

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