Nuns, Jesuits, red meat, Indian Catholicism blend with mouthwatering Indian cuisine and universal childhood emotions such as motherlove, fear of abandonment, and desire in this unique novel set entirely in India. So do puberty, adolescence, and the awakening of a repressed mind in a quest for justice, truth, and freedom. The result is a blend of "Angela's Ashes", "Catcher in the Rye", and "Portnoy's Complaint", one that has been described as having "copious funniness" and being "achingly beautiful."
At 72,000 words (around 270 pages) a complete novel in itself, "One Little Indian" is a reworking of the childhood, coming of age first 60 percent of "The Revised Kama Sutra" (which is actually 2 novels in one, according to some of its readers), and it includes additional, never-published chapters that been left out because of space constraints. The book ends with Vijay graduating from college. The later chapters, focusing on his adult life and having a much higher sexual content, have been omitted from this novel, and is therefore accessible to a larger audience of both men and women who are reasonably cosmopolitan and well-read.
"The Telegraph," a major Indian newspaper, described "One Little Indian" as "a surprisingly delightful novel by a genuinely irreverent Indian from Mangalore." Commenting on how the novel does not fit the priggish mold of most other Indian writing, it adds: "Crasta's raunchiness is a mix of Khushwant Singh and Laurence Sterne. The unstoppably copious funniness is Shandian."
“A superb Mangalore-centric novel”—DP Satish writes in an "Outlook" magazine blog: “Mangalore Diary: Highrises, Malls & Beautiful Bunt Women.”
Author Mark David Ledbetter writes: “An achingly beautiful book on the inner world pathos and outer world absurdity of growing up - both inner and outer, sometimes outrageously funny. It applies to all humans anywhere, since we all experience growing up, but is set in India in the late 1950s and 60s. What really makes this a work of genius for me is not only the way it recaptures growing up, but the pictures it paints of India on virtually every page.”
Around 72,000 words/270 pages
Richard Crasta is the author of 14 books. He was born and grew up in India and has been living in the United States for most of his adult life. His books include humor, essays, fiction, satire, memoir, and political and social commentary and observation.
Making a passionate case for true freedom for Indians and writers of Indian origin, he also discusses his status as an Indian citizen living abroad and a writer's ultimate loyalty to the truth.
The book also includes a comical, part-fantastic report of his meeting with Sushmita Sen, the future Bollywood actress and Miss Universe, and a real interview with the late Indian author and institution, Khushwant Singh.
"Biting, cynical . . . zany sense of humour."-India Today.
"Sparkling . . racy yet refined."--Indian Express.
Search terms and keywords: literature, essays, political satire, social satire, humor, Indian writers, Indian writing, beauty contests, Miss Univese
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Imagine Edward Said, George Carlin, and Malcolm X jointly writing a book about universal racism from a cosmopolitan Indian's perspective and compiling “The Fourteen Commandments of Impressing the Whites” delivered by a White God? Impressing the Whites is exactly that kind of book. It had a controversial reception when first published in India, where it was featured on national television and briefly made an online bestseller list. Ferociously satirical and idealistic in turns, “Impressing the Whites” suggests ways in which the world might be made fairer for its increasingly multicolored inhabitants. The book also urges that diverse cultures and peoples retain their authenticity what makes them unique rather than succumbing to the universal tendency towards standardization.
"The reader laughs, squirms, recognizes his/her own hypocrisy and the blatant absurdity of most unquestioned social conventions. Zany exuberance . . . mischievous.", says one review.
Ferociously satirical, idealistic, and politically incorrect (because political correctness becomes a barrier to thought and expression), it is an argument for diverse cultures and peoples remaining authentic rather than succumbing to a global, McDonaldsized culture.It also examines the dilemma faced by non-white people forced to strive to be judged and found worthy by the West, but also yearn to be authentic. What does this situation mean for authenticity, honesty, integrity, and a mutually respectful and honest communication between West and East?