In a city riven by racial tension, the father’s transgression is unforgivable. He has already arranged to take the baby, so it falls to Sylvia, the midwife’s teenage apprentice, to tell Meda that her child is dead—a lie that will define the course of both women’s lives. A devastated Meda dedicates herself to working in an orphanage and becomes a surrogate mother to two white boys; while Sylvia, fueled by her guilt, throws herself into her nursing studies and finds a post at the Lazaretto, the country’s first quarantine hospital, situated near the Delaware River, just south of Philadelphia.
The Lazaretto is a crucible of life and death; sick passengers and corpses are quarantined here, but this is also the place where immigrants take their first steps toward the American dream. The live-in staff are mostly black Philadelphians, and when two of them arrange to marry, the city’s black community prepares for a party on its grounds. But the celebration is plunged into chaos when gunshots ring out across the river.
As Sylvia races to save the victim, the fates of Meda’s beloved orphans also converge on the Lazaretto. Long ago, one “brother” committed an unthinkable act to protect the other, sparking a chain of events that now puts the Lazaretto on lockdown. Here conflicts escalate, lies collapse, and secrets begin to surface; like dead men rising, past sins cannot be contained.
“A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly.” —Zadie Smith
One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.