About this ebook
Robert Schumann—one of the most imaginative figures of the Romantic era—and concert pianist Robert Silverman: in both lives, brief but psychologically complex sojourns in Vienna became decisive crucibles, testing ambition against reality and shaping the emergence of fully formed artistic identities.
Their two stories unfold in counterpoint in Schumann, Vienna, and the Cat, illuminating one another across time. In the first half of the book, Silverman traces his own artistic formation in Montreal to his decisive years of study in Vienna (1961–1963). Interwoven with this personal narrative is the parallel story of Robert Schumann, whose formative struggles and ambitions are followed to the moment he, too, left Vienna in 1839. The second half of the book is devoted to extended essays on Schumann’s Kreisleriana, Op. 16, and Humoreske, Op. 20—works born of those Viennese years and examined here through historical context, literary influence, and performance insight. The result is neither conventional biography, memoir, nor purely technical analysis, but a meditation in two voices on artistic maturity, self-scrutiny, and the long journey toward integration.
Schumann, Vienna, and the Cat offers readers—especially emerging classical musicians—a model of how talent is shaped through uncertainty, risk, and self-examination rather than immediate mastery. At the same time, it invites older readers to look back on their own formative years with renewed understanding, recognizing that maturity often emerges from precisely the turbulence that once seemed misguided or excessive.
Their two stories unfold in counterpoint in Schumann, Vienna, and the Cat, illuminating one another across time. In the first half of the book, Silverman traces his own artistic formation in Montreal to his decisive years of study in Vienna (1961–1963). Interwoven with this personal narrative is the parallel story of Robert Schumann, whose formative struggles and ambitions are followed to the moment he, too, left Vienna in 1839. The second half of the book is devoted to extended essays on Schumann’s Kreisleriana, Op. 16, and Humoreske, Op. 20—works born of those Viennese years and examined here through historical context, literary influence, and performance insight. The result is neither conventional biography, memoir, nor purely technical analysis, but a meditation in two voices on artistic maturity, self-scrutiny, and the long journey toward integration.
Schumann, Vienna, and the Cat offers readers—especially emerging classical musicians—a model of how talent is shaped through uncertainty, risk, and self-examination rather than immediate mastery. At the same time, it invites older readers to look back on their own formative years with renewed understanding, recognizing that maturity often emerges from precisely the turbulence that once seemed misguided or excessive.
Robert Schumann—one of the most imaginative figures of the Romantic era—and concert pianist Robert Silverman: in both lives, brief but psychologically complex sojourns in Vienna became decisive crucibles, testing ambition against reality and shaping the emergence of fully formed artistic identiti...
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About the author
Robert Silverman is a prize-winning concert pianist. He holds a DMA from Eastman School of Music and was a faculty member of the University of British Columbia School of Music for thirty years; he served as Director of the school for five years. He was awarded an honorary Doctor of Letters in 2004.
In 2013, Silverman was named to the Order of Canada and is the first winner of the Paul de Hueck and Norman Walford Career Achievement Award for Keyboard Artistry, administered by the Ontario Arts Council Foundation. He is frequently heard on the CBC English and French radio network; a Steinway artist, he has recorded for EMI, Stereophile, Marquis Classics, Orpheum Masters, and CBC Records.[ALDJ(1.1]
Schumann, Vienna, and the Cat is his second book. His first book, Bach's Sonic Tapestry: The Well-Tempered Clavier of 1722, was published in 2022 (FriesenPress).
Silverman lives in Vancouver with his wife, Ellen. You can follow him at: robert-silverman.org
In 2013, Silverman was named to the Order of Canada and is the first winner of the Paul de Hueck and Norman Walford Career Achievement Award for Keyboard Artistry, administered by the Ontario Arts Council Foundation. He is frequently heard on the CBC English and French radio network; a Steinway artist, he has recorded for EMI, Stereophile, Marquis Classics, Orpheum Masters, and CBC Records.[ALDJ(1.1]
Schumann, Vienna, and the Cat is his second book. His first book, Bach's Sonic Tapestry: The Well-Tempered Clavier of 1722, was published in 2022 (FriesenPress).
Silverman lives in Vancouver with his wife, Ellen. You can follow him at: robert-silverman.org
Robert Silverman is a prize-winning concert pianist. He holds a DMA from Eastman School of Music and was a faculty member of the University of British Columbia School of Music for thirty years; he served as Director of the school for five years. He was awarded an honorary Doctor of Letters in 200...
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