Ronen Bergman is one of Israel's leading investigative journalists. The senior security and intelligence correspondent and analyst for Israel's largest daily newspaper, Yedioth Ahronoth, and an anchor on a leading Israeli television news program, he is the author of three bestselling books published in Israel. He was awarded a PhD by Cambridge University for his dissertation about the Israeli Mossad. The Secret War with Iran is his first book in English.
Drawing on over twenty-five years of experience, Frederick P. Hitz, a former inspector general of the Central Intelligence Agency, guides the reader through the byzantine structure of the U.S. intelligence community (which agency handles what?), traces the careers and pitfalls of such infamous spies as Robert Hanssen and Aldrich Ames, and explains how the United States must meet the challenges set forth in the Intelligence Reform and Terrorism Prevention Act of 2004. He also describes the transformation of the CIA after the end of the cold war--from 1991 to the present--and outlines a vision for the future of U.S. spying in the twenty-first century.
A fascinating glimpse into the inner workings of international espionage and intelligence, Why Spy? is a must-read not only for fans of Tom Clancy and John le Carré, but for anyone concerned about the security of the United States in a post-cold war, post-9/11 world.
The book is structured as a series of three essays and a filmography of the directors of glasnost cinema. The first essay, "The Age of Perestroika," describes the changes that occurred in Soviet cinema as it freed itself from the legacy of Stalinism and socialist realism. It also considers the influence of film educator and director Mikhail Romm. "Youth in Turmoil" takes a sociological look at films about youth, the most dynamic and socially revealing of glasnost-era productions. "Odysseys in Inner Space" charts a new direction in Soviet cinema as it focuses on the inner world of individuals.
The filmography includes thirty-three of the most significant glasnost-era directors, including Tengiz Abuladze, Karen Shakhnazarov, and Sergei Soloviev, with a comprehensive list of their films. Discussions of many individual films, such as Repentance, The Messenger Boy, and The Wild Pigeon, and interviews with the directors reveal the effects that glasnost and perestroika have had on the directors' lives and art.