But then a summons to return to the fairy world arrives in the form of a knife on her pillow. And in the process of investigating her case, Mab discovers the fairies are stealing joy-producing chemicals directly from the minds of humans in order to manufacture their magic Elixir, the dwindling source of their powers. Worst of all, Mab’s boyfriend Obadiah vows to abstain from Elixir, believing the benefits are not worth the cost in human suffering—even though he knows fairies can’t long survive without their magic.
Mab soon realizes she has no choice but to answer the summons and return to the Vale. But the deeper she is drawn into the machinations of the realm, the more she becomes ensnared by promises she made in the past. And in trying to do the right thing, Mab will face her most devastating betrayal yet, one that threatens everything and everyone she holds most dear.
Ruth Vincent spent a nomadic childhood moving across the USA, culminating in a hop across the pond to attend Oxford. But wherever she wanders, she remains ensconced within the fairy ring of her imagination. Ruth recently traded the gritty urban fantasy of NYC for the pastoral suburbs of Long Island, where she resides with her roguishly clever husband and a cockatoo who thinks she’s a dog.
A storm is coming . . .
Locked behind bars for three years, Shadow did his time, quietly waiting for the magic day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life.
But just days before his release, Laura and Shadow’s best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home, an enigmatic man who calls himself Mr. Wednesday. A trickster and rogue, Wednesday seems to know more about Shadow than Shadow does himself.
Life as Wednesday’s bodyguard, driver, and errand boy is far more interesting and dangerous than Shadow ever imagined—it is a job that takes him on a dark and strange road trip and introduces him to a host of eccentric characters whose fates are mysteriously intertwined with his own. Along the way Shadow will learn that the past never dies; that everyone, including his beloved Laura, harbors secrets; and that dreams, totems, legends, and myths are more real than we know. Ultimately, he will discover that beneath the placid surface of everyday life a storm is brewing—an epic war for the very soul of America—and that he is standing squarely in its path.
Relevant and prescient, American Gods has been lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Michael Dirda, Washington Post Book World) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is, quite simply, an outstanding work of literary imagination that will endure for generations.
Published in 1997, Neil Gaiman's darkly hypnotic first novel, Neverwhere, heralded the arrival of a major talent and became a touchstone of urban fantasy. Over the years, a number of versions were produced both in the U.S. and the U.K. Now Gaiman's preferred edition of his classic novel reconciles these works and reinstates a number of scenes cut from the original published books.
Neverwhere is the story of Richard Mayhew, a young London businessman with a good heart and an ordinary life, which is changed forever when he discovers a girl bleeding on the sidewalk. He stops to help her—an act of kindness that plunges him into a world he never dreamed existed.
Slipping through the cracks of reality, Richard lands in the Neverwhere—a London of shadows and darkness, monsters and saints, murderers and angels that exists entirely in a subterranean labyrinth. The Neverwhere is home to Door, the mysterious girl Richard helped in the London Above. Door, a noblewoman whose family has been murdered, is on a quest to find the agent that slaughtered her family and thwart the destruction of this underworld kingdom. If Richard is ever to return to his former life, he must join the journey to save Door's world—and find a way to survive.
A hallucinatory fantasia of mystery, mythology, and terror that "draws equally from George Lucas, Monty Python, Doctor Who, and John Milton" (USA Today), Neverwhere is an "Alice in Wonderland with a punk edge" (Poppy Z. Brite), "that is both the stuff of dreams and nightmares" (San Diego Union-Tribune).
In the traditional folktale of "Sleeping Beauty," the spell cast upon the lovely young princess and everyone in her castle can only be broken by the kiss of a Prince. It is an ancient story, one that originally emerged from and still deeply disturbs the mind's unconscious. In the first book of the trilogy, Anne Rice (author of Beauty's Kingdom), writing as A.N. Roquelaure, retells the Beauty story and probes the unspoken implications of this lush, suggestive tale by exploring its undeniable connection to sexual desire. Here the Prince awakens Beauty, not with a kiss, but with sexual initiation. His reward for ending the hundred years of enchantment is Beauty's complete and total enslavement to him . . . as Anne Rice explores the world of erotic yearning and fantasy in a classic that becomes, with her skillful pen, a compelling experience. Readers of Fifty Shades of Grey will indulge in Rice’s deft storytelling and imaginative eroticism, a sure-to-be classic for years to come.
Praise for The Claiming of Sleeping Beauty:
"Articulate, baroque, and fashionably pornographic." —Playboy
"Something very special . . . at once so light and yet so haunting." —The Advocate
Obadiah Savage bootlegs fairy Elixir to human customers thirsting for a magical fix. But when Mab and Obadiah become joint suspects in a crime they didn't commit, the only way to prove their innocence is to travel back to the fairy realm. And when Mab confronts the Fairy Queen and learns the depth of her betrayal, she must decide if the fate of the fey world is worth destroying the lives of the humans she's come to love.