Samuel Richardson, the first, in order of time, of the great English novelists, was born in 1689 and died at London in 1761. He was a printer by trade, and rose to be master of the Stationers’ Company. That he also became a novelist was due to his skill as a letter-writer, which brought him, in his fiftieth year, a commission to write a volume of model “familiar letters” as an aid to persons too illiterate to compose their own. The notion of connecting these letters by a story which had interested him suggested the plot of “Pamela” and determined its epistolary form—a form which was retained in his later works. This novel (published 1740) created an epoch in the history of English fiction, and, with its successors, exerted a wide influence upon Continental literature. It is appropriately included in a series which is designed to form a group of studies of English life by the masters of English fiction. For it marked the transition from the novel of adventure to the novel of character—from the narration of entertaining events to the study of men and of manners, of motives and of sentiments. In it the romantic interest of the story (which is of the slightest) is subordinated to the moral interest in the conduct of its characters in the various situations in which they are placed. Upon this aspect of the “drama of human life” Richardson cast a most observant, if not always a penetrating glance. His works are an almost microscopically detailed picture of English domestic life in the early part of the eighteenth century.
One of the most spectacular successes of the flourishing literary marketplace of eighteenth-century London, Pamela also marked a defining moment in the emergence of the modern novel. In the words of one contemporary, it divided the world "into two different Parties, Pamelists and Anti-pamelists," even eclipsing the sensational factional politics of the day. Preached for its morality, and denounced as pornography in disguise, it vividly describes a young servant's long resistance to the attempts of her predatory master to seduce her. Written in the voice of its low-born heroine, Pamela is not only a work of pioneering psychological complexity, but also a compelling and provocative study of power and its abuse.
Pamela, or Virtue Rewarded is an epistolary novel by Samuel Richardson. It tells the story of a beautiful 15-year old maidservant named Pamela Andrews, whose country landowner master, Mr. B, makes unwanted advances towards her after the death of his mother, whose maid Pamela had been since age 12. Mr. B is infatuated with her, first by her looks and then her innocence and intelligence, but his high rank hinders him from proposing marriage. He abducts her, locks her up in one of his estates, and attempts to seduce and rape her. She rejects him continually, but starts to realise that she is falling in love with him. He intercepts her letters to her parents; reading them, he becomes even more enamored by her innocence, intelligence, and continuous escape attempts. Her virtue is eventually rewarded when he sincerely proposes an equitable marriage to her. In the novel's second part, Pamela attempts to build a successful relationship with him and to acclimatise to upper class society. The story, a best-seller of its time, was very widely read but criticised for its perceived licentiousness.
For a fascinating glimpse into eighteenth-century morals and values, take a look at Samuel Richardson's Pamela, or Virtue Rewarded. A blockbuster of a bestseller in its day, Pamela recounts the tribulations of a poor housekeeper who is forced constantly to fend off the prurient advances of her employer. Her reward? Pamela is offered -- and accepts -- her lustful master's hand in marriage and is thrust into upper-class society.
In a series of letters to her parents, 15-year-old Pamela Andrews recounts her tribulations as a servant in the house of Mr. B. The infatuated master's repeated attempts at seduction―foiled again and again by the quick-witted maid―lead to Pamela's abduction and imprisonment in a remote country house, where the unlikely couple truly come to know one another. Samuel Richardson, one of England's early novelists, published Pamela; or, Virtue Rewarded anonymously in 1740. The first bestseller in English fiction, Pamela excited a storm of controversy, in which it was both denounced as thinly veiled pornography and praised for setting an example of righteous conduct. Its publication marks a defining moment in the development of the modern novel, in which the genre suddenly and irrevocably developed the potential for moral seriousness. Three centuries later, Richardson's novel remains an engaging tale of psychological complexity.
Clarissa, or, the History of a Young Lady tells the tragic story of a heroine whose quest for virtue is continually thwarted by her family, and is one of the longest novels in the English language. Clarissa Harlowe is a beautiful and virtuous young lady whose family has become wealthy only recently and now desires to become part of the aristocracy. Their original plan was to concentrate the wealth and lands of the Harlowes into the possession of Clarissa's brother James Harlowe, whose wealth and political power will lead to his being granted a title.
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