Tipping the Velvet: A Novel

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44

“Erotic and absorbing…Written with startling power.”—The New York Times Book Review
 
Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.
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Additional Information

Publisher
Penguin
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Published on
May 1, 2000
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Pages
480
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ISBN
9781101078198
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Features
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Language
English
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Genres
Fiction / Coming of Age
Fiction / Historical / General
Fiction / LGBT / Lesbian
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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The New York Times bestselling novel that has been called “a tour de force” (Wall Street Journal), “unputdownable” (The Washington Post), “a delicious hothouse of a novel” (USA Today), “effortless” (The Economist), “seductive” (Vanity Fair) and “pitch perfect” (Salon)
 
“Superb, bewitching…Forget about Fifty Shades of Grey; this novel is one of the most sensual you will ever read, and all without sacrificing either good taste or a "G" rating” – NPR
 
“One of the year’s most engrossing and suspenseful novels…a love affair, a shocking murder, and a flawless ending … Will keep you sleepless for three nights straight and leave you grasping for another book that can sustain that high.” — Entertainment Weekly (A rating)

“Volcanically sexy, sizzingly smart, plenty bloody and just plain irresistible." —USA Today (4 stars)


It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa—a large, silent house now bereft of brothers, husband, and even servants—life is about to be transformed as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.

With the arrival of Lilian and Leonard Barber, a modern young couple of the “clerk class,” the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances’s life—or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be.

Short-listed for the Man Booker Prize three times, Sarah Waters has earned a reputation as one of our greatest writers of historical fiction, and here she has delivered again. A love story, a tension-filled crime story, and a beautifully atmospheric portrait of a fascinating time and place, The Paying Guests is Sarah Waters’s finest achievement yet.
In this stunning new historical novel inspired by true events, Kim van Alkemade tells the fascinating story of a woman who must choose between revenge and mercy when she encounters the doctor who subjected her to dangerous medical experiments in a New York City Jewish orphanage years before.

In 1919, Rachel Rabinowitz is a vivacious four-year-old living with her family in a crowded tenement on New York City’s Lower Eastside. When tragedy strikes, Rachel is separated from her brother Sam and sent to a Jewish orphanage where Dr. Mildred Solomon is conducting medical research. Subjected to X-ray treatments that leave her disfigured, Rachel suffers years of cruel harassment from the other orphans. But when she turns fifteen, she runs away to Colorado hoping to find the brother she lost and discovers a family she never knew she had.

Though Rachel believes she’s shut out her painful childhood memories, years later she is confronted with her dark past when she becomes a nurse at Manhattan’s Old Hebrews Home and her patient is none other than the elderly, cancer-stricken Dr. Solomon. Rachel becomes obsessed with making Dr. Solomon acknowledge, and pay for, her wrongdoing. But each passing hour Rachel spends with the old doctor reveal to Rachel the complexities of her own nature. She realizes that a person’s fate—to be one who inflicts harm or one who heals—is not always set in stone.

Lush in historical detail, rich in atmosphere and based on true events, Orphan #8 is a powerful, affecting novel of the unexpected choices we are compelled to make that can shape our destinies.

A darkly erotic tale of prostitution, murder, and medical science in Victorian England

Lydia Ketch is a young woman whose life some would call immoral and shameful. But with the death of her mother and the prospect of the obscene conditions of the workhouse looming before her, Lydia chooses to enter into the "trade" in order to shield herself (and, more to the point, her sweet younger sister) from life's ravages and give them a chance at something better. Her education, working in the 'introduction house' of Kathleen Tanner, has given her some very unusual skills and an income few others could match.

When Lydia meets Henry Shadwell, a young surgeon with a passionate interest in biology—and in Lydia's shadowy world—the chemistry between the two is instant. Their relationship deepens when Henry discovers that Lydia possesses a nimble intellect. He soon enlists Lydia's help in his underground sidelines, first as a model for pornographic photography: then as an assistant in procuring corpses for medical experimentation.

With the dangers of her own line of work becoming clearer by the day, and her newfound delight in her own sexuality burgeoning, Lydia becomes disillusioned with her life as a prostitute.

It soon become evident that her trade--and Henry's--are even more dangerous than either had imagined.

Trades of the Flesh by Faye Booth is a gripping novel about the body and its desires, from a precocious voice in historical fiction.



At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Continuing in the exuberant tradition of Six of One, Bingo, and Loose Lips, New York Times bestselling author Rita Mae Brown returns to her much-loved fictional hamlet of Runnymede, whose memorable citizens are welcoming both the end of the Great War and the beginning of a new era.
 
The night a riot breaks out at the Capitol Theater movie house—during a Mary Pickford picture, no less—you can bet that the Hunsenmeir sisters, Louise and Julia, are nearby. Known locally as Wheezie and Juts, the inimitable, irrepressible, distinctly freethinking sisters and their delightful circle of friends are coming of age in a shifting world—and are determined to understand their place in it. Across town, the well-to-do Chalfonte siblings are preparing for the upcoming wedding of brother Curtis. But for youngest sister Celeste, the celebration brings about a change she never expected and a lesson about love she’ll not soon forget.
 
Set against the backdrop of America emerging from World War I, Cakewalk is an outrageous and affecting novel about a small town where ideas of sin and virtue, love and sex, men and women, politics and religion, can be as divided as the Mason-Dixon Line that runs right through it—and where there’s no problem that can’t be cured by a good yarn and an even better scotch. With her signature Southern voice, Rita Mae Brown deftly weaves generations of family stories into a spirited patchwork quilt of not-so-simple but joyously rich life.

Praise for Cakewalk

“[Cakewalk] is brimming over with [Rita Mae Brown’s] distinctive Southern voice that infuses every page with merriment, which allows her vibrant characters to take over the story and touch readers’ hearts. Her depictions of the inhabitants and the era are pitch-perfect as are the many subplots. Readers will feel as if they are living in Runnymede; running around with the teenagers, eavesdropping on the matrons planning the annual cakewalk and hiding in the closet of the wealthy families. An utterly delightful story.”—RT Book Reviews

“Brown has said that the Runnymede novels, starting with Six of One, are the ones she was born to write. . . . This is more loving domestic comedy of small-town life when times were simpler. Recommended for fans of Brown and beyond.”—Library Journal

“A delightful romp through small-town America, with all of its gossips and laughs, passions and rivalries, and through it all the importance of the thread of family.”—Historical Novels Review

“A feel-good novel told by an expert storyteller who delights in creating colorful and quirky characters.”—Shelf Awareness

“Two independent and free-thinking sisters, Louise and Julia Hunsenmeir (called Wheezie and Juts), push against the old-fashioned ways of drinking, dancing, and courting. . . . Characters were inspired by Brown’s own mother and sister, adding realism and depth to this uplifting story. Fans of Amy Hill Heath and Mary Kay Andrews will eat up this multigenerational ‘slice-of-life’ novel.”—Booklist

“There seems to be no end to [Rita Mae Brown’s] imagination, inventiveness, or storytelling artistry. . . . What is [Cakewalk] about? Life, love, baseball, war, peace, good whiskey, fashion, sex, religion, friendship–all in a rollicking and lively story that just keeps rolling along at a brisk pace. Ms. Brown paints such vivid scenes. . . . [Cakewalk is] entertaining, outrageous, thought-provoking, nostalgic, and great fun.”—My Merri Way
The New York Times–bestselling author’s Whitbread Prize–winning debut—“Winterson has mastered both comedy and tragedy in this rich little novel” (The Washington Post Book World).
 
When it first appeared, Jeanette Winterson’s extraordinary debut novel received unanimous international praise, including the prestigious Whitbread Prize for best first fiction. Winterson went on to fulfill that promise, producing some of the most dazzling fiction and nonfiction of the past decade, including her celebrated memoir Why Be Happy When You Can Be Normal?. Now required reading in contemporary literature, Oranges Are Not the Only Fruit is a funny, poignant exploration of a young girl’s adolescence.
 
Jeanette is a bright and rebellious orphan who is adopted into an evangelical household in the dour, industrial North of England and finds herself embroidering grim religious mottoes and shaking her little tambourine for Jesus. But as this budding missionary comes of age, and comes to terms with her unorthodox sexuality, the peculiar balance of her God-fearing household dissolves. Jeanette’s insistence on listening to truths of her own heart and mind—and on reporting them with wit and passion—makes for an unforgettable chronicle of an eccentric, moving passage into adulthood.
 
“If Flannery O’Connor and Rita Mae Brown had collaborated on the coming-out story of a young British girl in the 1960s, maybe they would have approached the quirky and subtle hilarity of Jeanette Winterson’s autobiographical first novel. . . . Winterson’s voice, with its idiosyncratic wit and sensitivity, is one you’ve never heard before.” —Ms. Magazine
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