A fiction writer, essayist, playwright, lecturer, and memoirist, Saul Bellow was born in Lachine, Quebec, in 1915, and was raised in Chicago. He received his Bachelor's degree from Northwestern University in 1937 and did graduate work at the University of Wisconsin before serving in the Marines during World War II. Later, during the 1967 Arab-Israeli conflict, Bellow served as a war correspondent for Newsday. Throughout his long and productive career, he contributed fiction to several magazines and quarterlies, including The New Yorker, Partisan Review, Playboy, and Esquire, as well as criticism to The New York Times Book Review, The New Republic, The New Leader, and others. Universally recognized as one of the greatest authors of the twentieth century, Bellow has won more honors than almost any other American writer. Among these, he received the Pulitzer Prize for his novel Humboldt's Gift and the B’nai B’rith Jewish Heritage Award for “excellence in Jewish literature.” He was the first American to win the International Literary Prize, and remains the only novelist in history to have received three National Book awards, for The Adventures of Augie March, Herzog, and Mr. Sammler's Planet. In 1976, Bellow was awarded the Nobel Prize in Literature “for the human understanding and subtle analysis of contemporary culture that are combined in his work.” Saul Bellow died in 2005 at age 89.
“A treasure of a novel, a deliciously enveloping musical mystery.”—Diane Ackerman
Music and war, war and music—these are the twin motifs around which Bradford Morrow, recipient of the Academy Award in Fiction from the American Academy of Arts and Letters, has composed his magnum opus, The Prague Sonata, a novel more than a dozen years in the making.
In the early days of the new millennium, pages of a worn and weathered original sonata manuscript—the gift of a Czech immigrant living out her final days in Queens—come into the hands of Meta Taverner, a young musicologist whose concert piano career was cut short by an injury. To Meta’s eye, it appears to be an authentic eighteenth-century work; to her discerning ear, the music rendered there is commanding, hauntingly beautiful, clearly the undiscovered composition of a master. But there is no indication of who the composer might be. The gift comes with the request that Meta attempt to find the manuscript’s true owner—a Prague friend the old woman has not heard from since the Second World War forced them apart—and to make the three-part sonata whole again. Leaving New York behind for the land of Dvořák and Kafka, Meta sets out on an unforgettable search to locate the remaining movements of the sonata and uncover a story that has influenced the course of many lives, even as it becomes clear that she isn’t the only one after the music’s secrets.
Magisterially evoking decades of Prague’s tragic and triumphant history, from the First World War through the soaring days of the Velvet Revolution, and moving from postwar London to the heartland of immigrant America, The Prague Sonata is both epic and intimate, evoking the ways in which individual notes of love and sacrifice become part of the celebratory symphony of life.
Belski suffers guilt over his own contribution to the decline of the Jewish religion, especially since he married a gentile and now has a gentile daughter. As if he can't conjure up enough angst on his own, his great-grandfather appears before him in a dream to admonish him for neglecting the obligations of his faith.
For Belski, the dilemma is how an assimilated intellectual can connect with an ancient and irrational (to him) religion without losing his sense of self. Is he the self-hating Jew that his obstreperous colleague pegs him for? Can his wife and daughter bully him into opening up his heart and letting in a little joy? Belski tries to come to grips with the meaninglessness of modern life, the demands of tradition, the nature of love and fidelity, and the true significance of the lyrics to Goodnight Irene.
Joseph Skibell has written a novel that is sad, funny, daring, and ultimately redemptive.
This poetic new play takes a unique look at the way the great filmmaker Alfred Hitchcock developed the idea of his most famous films, including Marnie, Vertigo, Psycho and Strangers on A Train. The result is a unique and haunting character study and an unprecedented journey into the mind of one our most fascinating cultural icons.