A fiction writer, essayist, playwright, lecturer, and memoirist, Saul Bellow was born in Lachine, Quebec, in 1915, and was raised in Chicago. He received his Bachelor's degree from Northwestern University in 1937 and did graduate work at the University of Wisconsin before serving in the Marines during World War II. Later, during the 1967 Arab-Israeli conflict, Bellow served as a war correspondent for Newsday. Throughout his long and productive career, he contributed fiction to several magazines and quarterlies, including The New Yorker, Partisan Review, Playboy, and Esquire, as well as criticism to The New York Times Book Review, The New Republic, The New Leader, and others. Universally recognized as one of the greatest authors of the twentieth century, Bellow has won more honors than almost any other American writer. Among these, he received the Pulitzer Prize for his novel Humboldt's Gift and the B’nai B’rith Jewish Heritage Award for “excellence in Jewish literature.” He was the first American to win the International Literary Prize, and remains the only novelist in history to have received three National Book awards, for The Adventures of Augie March, Herzog, and Mr. Sammler's Planet. In 1976, Bellow was awarded the Nobel Prize in Literature “for the human understanding and subtle analysis of contemporary culture that are combined in his work.” Saul Bellow died in 2005 at age 89.
A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay.
“Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink—all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue.”
In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.
Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.