In Volume II of her ambitious 1909 history of New York City, Van Rensselaer picks up in 1664 during the reconstruction of New Netherland following its loss to England and goes on to chart the city's changing character as the Dutch and English vie for political and cultural influence. Growing by fits and starts, this city of only several thousand people is revealed in all its awkward infancy, from its early revolts and uprisings through its command by the militia in 1689-1691. This is a fascinating and detailed account, perfect for students, historians, and anyone with an interest in pre-Revolutionary New York. Devoted to the study of art and architecture, American author MARIANA GRISWOLD VAN RENSSELAER (1851-1934) was born in New York City and was an honorary member of the American Institute of Architects. In a rare accomplishment for a woman at the time, she received a doctorate of literature from Columbia University in 1910. Her other books include English Cathedrals, Art Out of Doors, and One Man Who Was Content.
Although he was known in his own time as a leader of the so-called Romanesque Revival, the American architect Henry Hobson Richardson (1838-86) is today regarded as one of the pioneers of modern architecture — a man who, in the words of Lewis Mumford, “created out of a confusion which was actually worse than a mere void the beginnings of a new architecture.” This appreciative presentation of his life and work, first published two years after Richardson’s death, is the foundation of all research on the subject; it includes plans, photographs, and detailed discussions of all of Richardson’s major buildings — churches, commercial and civic structures, railroad stations, libraries, dwelling houses and other forms of architecture in American cities and towns from Boston to St. Louis. These buildings reveal the qualities in Richardson’s work that made him both a prophet of culture and a remnant of the past — his assimilation of the Romanesque style, the functional disposition of the parts in his buildings and expressive use of materials, and especially the use of the windows as an integral part of the interior development rather than of the façade alone. The author begins with Richardson’s biography — his family background, his childhood in Louisiana, his studies at Harvard and at L’École des Beaux Arts in Paris, his professional establishment, first in New York and then in Brookline, Massachusetts, and his public and personal life. This section includes many extensive quotations from Richardson’s letters and from the writings of friends. The remaining two thirds of the book are taken up with examinations of Richardson’s work. There are chapters on his early work (with detailed attention to his first commission, the Church of the Unity in Springfield, Massachusetts); his first great work, Trinity Church in Boston; works of middle life, such as the Cheney Building in Hartford and Harvard’s Sever Hall; the New York State Capitol in Albany; Albany City Hall, the Harvard Law School, and other works of his later years; the Pittsburgh Courthouse and his plans for the proposed Albany Cathedral; the Field Building in Chicago and the Cincinnati Chamber of Commerce; railroad stations and dwelling houses in Washington, St. Louis, Chicago, Buffalo, and many smaller cities. After appreciative chapters on Richardson’s characteristics as an artist and his methods of teaching, the book concludes with an appraisal of his influence on the architectural profession and on the public.
The iconography of Manhattan Island, 1498-1909 compiled from original sources and illustrated by photo-intaglio reproductions of important maps, plans, views, and documents in public and private collections
Originally published in Lippincott's magazine, this is a brief descriptive essay on the Alleghenies. Though it presents chiefly historical information, there are descriptive passages of the area and its towns and industry.
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